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Digital snippets: Alexander Wang, Warby Parker, Gucci, Nars, Ray Ban, J Crew + more

3 Mar Wang

It’s been a little while since one of these round-up posts on other interesting fashion and digital stories sourced from around the web, so there’s far more than usual. Each of them is however, of course, as interesting and relevant as ever…

  • Alexander Wang teams up with Samsung for crowdsourced handbag (as above) [Mashable]
  • Google reportedly in talks with Warby Parker to design stylish Google Glass frames [Techcrunch]
  • Gucci ups mobile conversion 70% via optimised site [Luxury Daily]
  • Nars tests Pinterest’s selling potential [Mashable]
  • Ray Ban launches real-life ambermatic lens app installation [DigitalBuzzBlog]
  • This is personal: J Crew debuts an in-store styling app [Refinery29]
  • How John Lewis uses Pinterest, Facebook, Twitter and Google+ [Econsultancy]
  • Lizzy Caplan’s Viva Vena fashion film is one of the best satirical ads you’ll ever see [Slate]
  • The business of blogging: Garance Doré [BoF]
  • Shopping in the future: Glasses.com’s augmented reality fitting-room app [AllThingsD]
  • Will Apple’s plans for an iWatch herald a new era of wearable tech? [The Observer]
  • Farfetch fashion hub: meet the curator of curators [Wired]
  • Business Of Fashion gets $2.1m seed funding from Index, LVMH and more for its no-nonsense B2B fashion blog [Techcrunch]
  • How your tweets during fashion shows are driving sales [Fashionista]
  • Fashion buys into social tools [NY Times]
  • Online upstarts explore a new model for fashion media [BoF]
  • Why retailers are pinning hopes on Pinterest [Reuters]
  • 10 great uses of Vine during fashion week [The Cut]

Oscar winner Jennifer Lawrence features in making-of Miss Dior handbag ad

28 Feb Miss Dior - Jennifer Lawrence

 

In case you hadn’t heard enough about Jennifer Lawrence this week (be sure to watch this and this by the way), here now is a video from the behind-the-scenes of her debut Miss Dior handbag ad.

Shot by Willy Vanderperre, it shows the new Oscar-winning actress posing for the spring/summer 2013 stills shots, all the while speaking over the top about her love of Dior and the timelessness of the bags in question.

“Dior represents beauty and strength in women and that’s how I feel when I’m wearing his clothes, they just make you feel so confident,” she says.

Kudos to Dior for adding her to their Academy Award-winning line-up: Marion Cotillard, Charlize Theron and Natalie Portman included.

On that note, Portman’s latest Miss Dior fragrance film, directed by Sofia Coppola, is also just out. “La vie en rose”, as it’s called, is a beautiful spot, and well worth the watch…

Dolce & Gabbana: #MFW’s social media winner

27 Feb DolceGabbana_AW13_1

DolceGabbana_AW13_6

I started this post with every intention of writing only about the beautiful videos Dolce & Gabbana has been posting on Vine surrounding its Milan Fashion Week show this week. Three in particular stand out – each of them zooming in on the intricate detail of the brand’s autumn/winter 2013/14 collection; the Byzantine and Venetian mosaic dresses, the elaborate jewellery and the beautifully beaded accessories.

Alas, those six-second loops are only viewable within the app itself and not on the brand’s Twitter or Facebook pages where they could also have been posted. On those instead however, is such a wealth of rich and relevant content on the collection otherwise, that it still seemed worth highlighting.

The craftsmanship and the inspiration behind the line – that would be the golden mosaics of Sicily’s Cathedral of Monreale – are the focus.

“It’s all in the details: the shoes of the Mosaics Collection are as intricate as the clothes,” reads a photo album dedicated to footwear images on Facebook. It was posted less than 12 hours ago and already has 30,000 likes and over 5,000 shares. The shot below by itself, meanwhile, has 7,000 likes, nearly 2,500 shares and over 500 comments.

DOlceGabbana_AW13_3

There are also albums dedicated specifically to the collection as a whole, the handbags individually, and the action backstage at the show. Each were originally posted on Swide.com, the Italian brand’s editorial property, which also hosts pages all about the sunglasses, the jewellery and the textures, not to mention the architecture and the mosaics of the cathedral itself.

For record – albeit a little repetitive by this point – there are also multiple posts on the brand’s Pinterest, Instagram and Tumblr pages.

A pre-show video meanwhile documents in a beautiful 30-seconds the artisans at work on their “slow and precise” mosaic-making. “The Mosaics Collection is perhaps one of the most intricate yet by Dolce & Gabbana which makes the video and crafts displayed all the more special,” reads the write-up.

And that’s the point here – the craftsmanship, talent and beauty of fashion is what so often makes it speak for itself if you just push the content out in the right direction. You don’t even have to like this collection to see why it works so wonderfully on social media.

 

DolceGabbana_AW13_5 DolceGabbana_AW13DolceGabbana_AW13_7 DolceGabbana_AW13_4 DolceGabbana_AW13_8 DolceGabbana_AW13_10 DolceGabbana_AW13_9

Hermès opts for playful with sports-themed stop motion campaign films

26 Feb Hermes_LongLiveSport

 

If there’s one way to bring a touch of character to a French luxury house, it’s with a series of stop motion films filled with nothing but props and accessories.

Enter then Hermès, which has released a total of four short spots featuring classic items from the company (scarves, ties, homeware) alongside sports-themed equipment that comes to life to beautifully show off the eccentric, playful and quirky nature of the brand.

China plates play ping pong while handbags spectate for instance (as above), or pairs of shoes are seen emerging from a picnic basket and leapfrogging one another (as below). The croquet spot then features silk ties coiling into hoops through which the balls travel, and in “No Sport”, pétanque balls are seen delicately snoozing on cushions under a tree (both also below).

The films were directed by Simon Cahn and are part of the brand’s spring/summer 2013 “Long Live Sport” campaign.

An interactive segment of the Hermès website has also been released, which invites users to navigate an illustrated garden map to find the sporting activity, and accordingly the video, of their choice.

 

 

 

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Infographic: #Oscars best-dressed according to Twitter sentiment

25 Feb JenniferLawrence_Oscars2013

There’s nothing quite like the live commentary you get over Twitter when the #Oscars takes place, as everyone and anyone has some sort of say on the looks hitting the red carpet.

Fortunately then, there’s an infographic just landed (as below) from social media monitoring service, Sysomos, that sums up the sentiment of the evening when it came to the fashion.

Over 400,000 tweets were posted during the live arrivals of the Hollywood crowd, with Silver Linings Playbook stars Jennifer Lawrence and Bradley Cooper winning the titles of best dressed female and male for their respective Christian Dior Couture and Tom Ford looks at these 85th Academy Awards.

Lawrence, who went on to win best actress for her role (tripping up the stairs as she did so, which was instantly made a GIF of course), is also highlighted as the viewers’ favourite from the night with over 32,000 tweets. Anne Hathaway, who was wearing Prada, was labelled worst dressed by the tweeting public, despite stealing the number one spot on Vogue.com’s list.

The infographic also highlights US fashion brands deemed particularly “good at social media” (outside of the Oscars) by Sysomos, including Kate Spade, Tory Burch, Rachel Zoe, DKNY and Oscar de la Renta.

When it came to the big designers from tonight’s awards, however, there’s no doubt that winners lay in Dior, as already mentioned, but also worn beautifully by Charlize Theron, as well as Armani Privé who dressed best actress nominees Jessica Chastain and Naomi Watts. Nine-year-old Quvenzhane Wallis also wore Giorgio Armani.

Versace was another noteworthy label worn by Halle Berry as well as Jane Fonda, who presented on stage with Michael Douglas. But it was perhaps Naeem Khan who truly stole the night, not for the stunning AW13 column dress seen on Stacy Keibler, but for that of First Lady Michelle Obama, who was the suprise presenter of the best picture award live from the White House.

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Best of the web!

21 Feb best-of-the-web-be-in-style-header

This is one little note to say a big thank you to Become.com’s Be In Style blog, which has featured Fashion & Mash this week in its Best of the Web round-up.

With us being halfway through fashion week season, right in the middle of Social Media Week and on the verge of SXSW, it’s undoubtedly true that I currently “eat, sleep, live, and breathe fashion”, as quoted. The best bit of course, is that it’s from a very unique designer meets digital angle.

The praise comes at an appropriate time too, for this week marks the two-year anniversary of this site. I hope you’re all continuing to get as much out of it as I do putting in. There’s never been such an exciting time as there currently is in all things tech, and I continue to try and cover it for everyone in our industry as comprehensively as possible.

As promised earlier in the year, there’s some exciting developments ahead for F&M, but as always if you have any feedback on the kind of content being posted, some more things you’d like to see, or better yet some stories of your own to send, please do get in touch.

Best wishes, Rachel

Warby Parker runs Google Hangouts on site at Social Media Week

19 Feb Warby Parker SMW

It might have been all about Topshop’s big partnership with Google during London Fashion Week, but at Social Media Week (SMW), it’s Warby Parker we’re talking about.

The eyewear brand, a long-time social media enthusiast, has set up an installation at SMW’s New York HQ that allows visitors to gain feedback on which frames to choose via a Google Hangout.

A shelf at the stand is filled with glasses, encouraging users to try on different options. Rather than just looking in the mirror, they can log in to a live session where various experts are waiting to share their professional thoughts on which ones to go for.

Those on hand throughout each day include celebrities, influencers, fashion experts and members of the Warby Parker and Google teams, according to a post on SMW’s blog.

Each Hangout is being screened on site, as well as live-streamed on Warby Parker’s G+ and YouTube pages. See a couple of examples from today below.

SMW runs from February 18-22.

 

Burberry personalising new collection with embedded digital content

18 Feb Burberry_Smart_Personalization

This article first appeared on Mashable

Burberry_Smart_Personalization

Personalisation just got a whole lot smarter thanks to a new initiative from Burberry, which is launching as part of its London Fashion Week show on Monday.

The British heritage brand is embedding digital chips that will unlock bespoke content in its new season’s coats and bags in a bid to entice consumers to pre-order them immediately after they hit the catwalk.

The chips will activate short films (as demonstrated below) to bring the product in question to life, telling the story of its creation, from sketches to runway edits. They will also show video of the customer’s name being engraved on metal nameplates — also new this season — that are stitched into the lining of the coats and bags.

Users will be able to see the videos when their items are put in contact with smartphone or tablet devices logged into Burberry.com thanks to a new technology the company will reveal more information about at the delivery date (expected within nine weeks). For consumers in London who are able to visit the brand’s digitally integrated Regent Street flagship store, the same chips will prompt the videos to appear on its large-scale mirrors, which turn into screens.

While this “Smart Personalisation” concept demonstrates how technology can benefit Burberry shoppers, the brand also has plans to connect with its broader fanbase using social media. On the day after the show, Burberry will invite followers to tweet with the hashtag #madefor, so they can receive personalized images of their own bespoke nameplate, for example.

The show will also be live-streamed within Burberry’s Twitter feed for the first time, as well as online and in the Regent Street store. Additional access will be provided through two Instagram accounts: @Burberry will share images from backstage, the red carpet and the runway, while @Burberry_Live will take more detailed images of the collection to feed into Burberry.com’s dashboard.

Where Topshop launched a model cam for its show on Sunday, Burberry is also promoting backstage interaction with its models. The “Burberry Beauty Booth” will share images taken by models with the brand’s followers in real-time, when they tweet with the #BeautyBooth hashtag.

Brit models do the Harlem Shake in style backstage at Topshop’s #LFW show

18 Feb Topshop_HarlemShake

After a bit of light fashion week relief? Then take 30 seconds out to watch models Jourdan Dunn, Cara Delevingne and Rosie Tapner performing their version of viral video sensation the Harlem Shake backstage at Topshop Unique. I defy you not to put it on repeat…

Vine, Google+ take center stage at London Fashion Week

17 Feb Cara Delevingne outside Google HQ with Topshop

This article first appeared on Mashable

Twitter’s new video-sharing app, Vine, took off in a big way at New York Fashion Week. Designers and editors alike logged in to Vine to capture and share six-second scenes from the shows.

London Fashion Week (LFW) attendees are poised to pick up where New York left off. Design houses including Burberry, Jonathan Saunders and Paul Smith, as well as the British Fashion Council, are all expected to use the app to bring followers behind the scenes and front of house.

It’s Matthew Williamson’s feed, however, that’s the must-see. The designer, known for his intricate, handcrafted garments, will use Vine to showcase details up close during Sunday’s show. As the looks hit the runway, backstage shots by photographer Sean Cunningham (of Burberry Tweetwalk fame) will be posted to Twitter, magnifying the embellishment and beadwork in a bid to bring followers a more detailed view than those available to the front row.

The initiative takes its inspiration from Williamson’s #MatthewMagnified campaign on Facebook, which makes use of the Pic Jointer app to show catwalk images alongside close-up detail shots of the fabric work. Vine will see them in motion, as introduced by the designer below:

Rosanna Falconer, head of digital for the designer, referred to the idea as “Cinéma vérité,” a French term for true-to-life documentary filmmaking. “I love the way it’s such raw footage. Rather than being a final polished campaign image, it’s about what’s going on right now, live from backstage,” she says. “We’re trying to give our followers better-than-ever access with a real, up-close quality. In many ways, it’s like a digital version of the go-see, which are the appointments made by press and buyers after the show to view the collection in greater detail. It’s the beadwork, the detail and the craftsmanship of the product right there.”

Up close and personal

This idea of a digital go-see, or bringing fans and followers even closer to the Fashion Week action, is also part of Topshop’s plans for the season. As part of a partnership with Google, the British retailer will be providing viewers with live access to every aspect of its show using dozens of cameras, capturing fittings, “red carpet” arrivals and the show itself from multiple points of view. The aim is to offer the experience of what it’s like to be the model, the buyer, the makeup artist or even the designer.

Central to this is its model-cam, which will see Cara Delevingne, Jourdan Dunn, Rosie Tapner and Ashleigh Good all wearing real-time, HD micro cameras so followers can see the show from their perspective. Pre-stitched into the clothes and bags, these cameras will show detailed footage from the runway as well as backstage. They have been developed with satellite broadcasting company, SIS Live, and make use of the “Hawkeye” technology from major sporting events like Wimbledon.

Justin Cooke, Topshop’s chief marketing officer, says he expects it to steal the show. “The models will become the protagonists. Viewers will search for ‘Cara on the runway,’ and their content will get propelled around the world,” he says.

In addition to Topshop, a new partnership between the British Fashion Council and YouTube will serve up live streams of 20 shows through the LFW channel at youtube.com/lfwtv. A further 13 will also be streamed at londonfashionweek.co.uk/live.

Topshop is adding to its event with pre-show coverage also live-streamed through a customized YouTube page. Hangouts will air from the red carpet, backstage and the front row. “We’re using it as a live broadcast, like the Oscars, like a live behind-the-scenes documentary,” says Cooke.

Catwalk countdowns and live Q&As

Last season saw a big focus on visual diaries in the build-up to London’s shows, and the same goes for the Autumn/Winter 2013 shows.

Julien Macdonald returned to London Fashion Week following a two-season break, and in so doing shared preparation images over Facebook, Twitter and Instagram leading up to his show on Saturday. There was also a time-lapse video of the show space being constructed.

Peter Pilotto, meanwhile, who arrived on Twitter just last week, is likewise posting images in the buildup to his Monday show in what he’s calling his “Catwalk Countdown.”

Back at Topshop, the four aforementioned models will all be featured in a “Road to Runway” digital diary on Google+, documenting everything from their first fittings to the moment they hit the catwalk. There’s also a Google Hangout inviting viewers to see behind the scenes at Topshop’s headquarters ahead of the show and ask the design team questions as they apply their finishing touches.

Expert Q&As are also a go-to for the British Fashion Council again this season. Twitter sessions will this time be held with British Vogue’s Alexandra Shulman, designers Manolo Blahnik and Henry Holland, and blogger and DJ Bip Ling, using the #AskLFW hashtag.

Personalization meets pre-orders

There’s much in the way of shoppable activity set for London this season, too. House of Holland has developed a capsule collection exclusively for eBay.co.uk, comprised of a dress, an oversized slogan t-shirt, an iPhone cover and a pair of tights, each emblazoned with the signature House of Holland Autumn/Winter 2013 “rave wave” print. The micro-line is available for purchase until Sunday, Feb. 24, with all proceeds going to Cancer Research UK.

Burberry, meanwhile, has rebranded its “Runway to Reality” shoppable concept as “Runway Made to Order.” Still a pre-order service for early season delivery on coats and accessories, it will also offer fans a personalization element with nameplate engravings available on each item. The rest of the brand’s show plans will be announced closer to showtime on Monday.

Topshop is enabling followers to buy straight from the catwalk again too, offering items from the collection for pre-order as well as makeup and nail polish for instant delivery. Its “Shoot the Show” and “Customize the Catwalk” initiatives from last season are continuing also, this time refined and modified according to people’s behaviors, i.e. how they interacted with the features during the Spring/Summer 2013 show.

In addition, Topshop and Google have developed a “Be the Buyer” app on Google+ that will allow fans to create moodboards of their favorite items from the runway while seeking video advice from Topshop’s own buying experts, as well as those from department stores Selfridge’s and Browns. The results, says Cooke, will help feed data back to Topshop on what items or colors are the most popular, cleverly shaping its decisions about what to put in store.

Such movements are proving that digital innovation at LFW aren’t solely about gaining fans and building awareness of current collections, but are an opportunity for getting consumers to help determine what will actually hit the shop floor. It doesn’t get much more personal (and for the retailer, efficient) than that.

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