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HoH and eBay team up for exclusive #LFW collection

16 Feb HouseofHolland_ebay2

HouseofHolland_ebay

House of Holland has released a capsule collection exclusively with eBay UK inspired by his autumn/winter 2013/14 collection that showed at London Fashion Week today.

The line went on sale from the minute the first model hit the catwalk at 7pm GMT, and will be available until next Sunday, February 24. It is comprised of a dress, an oversized slogan t-shirt, an iPhone cover and a pair of tights, each emblazoned with the signature House of Holland ‘rave wave’ print.

The aim is to provide fans with a nugget of access to the new season way before the full collection hits stores, satisfying the instant demand that goes with watching a live show. All proceeds from the sales will also go to Cancer Research UK.

Designer Henry Holland said: “The items I’ve designed for eBay have been inspired by my AW13 collection. I’m excited to be able to bring something exclusive and exciting to a completely new audience. I hope I am paving the way for more opportunities for designers coming through the BFC’s Fashion Forward programme.”

eBay is also continuing its support of this season’s Fashion Forward winners at London Fashion Week – Michael Van Der Ham, Holly Fulton and David Koma – live-streaming each of their shows to smartphones via its Style Collective blog.

HouseofHolland_ebay2

Paul Smith partners with artist Kate Moross for #LFW Vine clips

16 Feb PaulSmith_vine

Another example of how to use Vine to beautiful effect has just come in from Paul Smith. The British designer has partnered with London-based artist Kate Moross, who is shooting a series of imaginative six-second clips in the run up to tomorrow’s London Fashion Week show.

The first, called BLINDS and shown above, sees shutters opening and closing on the Paul Smith logo. Others so far, and as below, have been titled REFLECT and INFINITE, hinting at the venue and print and pattern respectively,

“We’re drawing influence from the themes and palette of the collection revealing glimpses of what’s to come in Sunday’s catwalk show,” said Moross. “The format is so immediate, all professional video tools are off limits, instead we’re creating animations, loops and video effects using colour filters, miniature lenses and simple objects.”

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Matthew Williamson to magnify intricate garment detail in #LFW Vine strategy

Vine scores big with #NYFW crowd

Take a look at Calvin Klein’s Vine posts during Super Bowl XLVII

McQ debuts AW13 collection through online film

15 Feb McQ AW13 film

Alexander McQueen’s sister brand McQ has launched a short film showcasing its new autumn/winter 2013/14 collection in line with the start of London Fashion Week.

Shot by photographer Roger Deckker, the spot is reflective of the team’s search for alternative ways to showcase the new season’s line. For context, mainline Alexander McQueen will also not show on the catwalk in Paris this season as creative director Sarah Burton takes maternity leave.

The resulting film is comprised of a series of vignettes shot over a twenty-four hour period. It features models Maria Bradley and Botond Cseke and is inspired by “twentieth-century avant-garde Czechoslovakian and post-war Italian cinema”. Set in both London and the British countryside, its aim is to reflect the brand’s rebellious and street-inspired heritage.

Also joining it are two lookbooks (menswear and womenswear) and a mood image series, as shown below.

 McQ AW13 film McQ AW13 film McQ AW13 film McQ AW13 film

Matthew Williamson to magnify intricate garment detail in #LFW Vine strategy

14 Feb Matthew Williamson - MatthewMagnified

Matthew Williamson - MatthewMagnified

Vine might have been the big hit at New York Fashion Week, but the majority of posts lacked somewhat in the innovation, quality or insight department. Monotony was the main issue as six-seconds of finale or panning audience shots were uploaded one after the other at every show.

Here’s a heads up then – the Matthew Williamson show in London is set to approach it with much more in the way of a strategy. Known for his intricate handcrafted garments, the designer will use Vine as a means of showcasing details up close to real, raw and beautiful effect, as introduced by the designer here (and see below). As the models head down the runway on Sunday, February 17, animated backstage shots by photographer Sean Cunningham (of Burberry Tweetwalk fame) will be posted to Twitter that zoom and magnify in on the embellishment and beadwork in a bid to bring followers a more detailed view than those on the front row.

The concept takes its inspiration from Williamson’s #MatthewMagnified campaign on Facebook, which uses the Pic Jointer app (as above) to show still catwalk images alongside close-up detail shots of the fabric.

Here’s what Rosanna Falconer, head of digital for the designer, had to tell me about their plans:

“#MatthewMagnified has been hugely successful for us, our most popular campaign but also what we really wanted to drive home about the brand; it shows and conveys the luxury of Matthew, which you just can’t find on the high street.

We were trying to think of how to do this in a dynamic way for our show at London Fashion Week. We’re working with photographer Sean Cunningham who has created incredible GIFs in the past for Burberry and SHOWstudio, but we wanted to find something unique for Matthew. Sean got incredibly inspired by #MatthewMagnified, and the idea of an animated image that zooms in and shows the detail.

So we came up with our own kind of animated GIF concept, which is about being able to see closer than the front row. The issue was finding the ideal tech to show it, and Vine really was that. Better yet, being able to show over Twitter really made it all very achievable; it’s one very simple step.

Sean started having a play with it, and has created some beautiful work already. I love the way it’s such raw footage; the idea of it being Cinéma vérité, which is a French term for true-to-life documentary filmmaking. Rather than being a final polished campaign image, it’s what’s going on right now, live from backstage. It’s really special being able to capture that. Six seconds is the perfect length too – from full look to the magnified detail. Our attention span is getting ever shorter and these quick clips will show the catwalk condensed in its raw, backstage form.

We’re trying to give our followers better than ever access with a real, up-close quality. In many ways, it’s like a digital version of the go-see, which are the appointments made by press and buyers after the show to view the collection in greater detail. It’s the beadwork, the detail and the craftsmanship of the product right there.

It’s also not about tech for tech’s sake. I’m a great believer in only using digital innovation where it’s a good brand fit and not just for the sake of it because something is new and hip. Obviously everyone is speaking about Vine, but the important thing here is that we’re using it with an established campaign, the most successful thing we’ve been doing on social so far, and a concept we’ve been wanting to take further. We were looking for the means to do so and it’s a happy coincidence that this came together with Twitter so well.”

The show takes place on at 6pm GMT on Sunday, February 17. Follow @MWWorld on Twitter, search for him via Matthew Williamson on Vine, and watch out for the hashtag #MatthewMagnified.

Topshop teams up with Google for LFW show

13 Feb Jourdan Dunn for Topshop

Topshop Google The Future of the Fashion Show

Topshop came out guns blazing with the announcement of its partnership with Google for London Fashion Week last night. Showcased via a very cool trailer from the team at Google’s in-house creative labs (as below), the initiative includes everything from a live model-cam to streetview access inside the autumn/winter 2013/14 show’s impressive Tanks at Tate Modern venue.

The idea is to use all of Google’s platforms to give viewers access to every aspect of the show as if they were “the model on the runway, the buyer in the audience, the make-up artist backstage, the designer fitting a look or the celebrity arriving”.

News quickly spread across the web, from Vogue to The Business of Fashion, and continued this morning on the likes of Wired and The Next Web. A headline from The Guardian, read: “Will Topshop and Google change fashion shows forever?”

Said CMO Justin Cooke: “By partnering with Google we are broadcasting the show to the consumer from every single perspective. A fashion show from concept to creation.”

So here’s the gist of it:

  • Models including Cara Delevingne and Jourdan Dunn will all be wearing real-time, HD micro cameras that will enable viewers to experience the show from their perspective. Pre-stitched into the clothes and bags, these cameras will show detailed footage from the runway as well as backstage. They have been developed with SIS Live using the ‘Hawkeye’ technology from major sporting events like Wimbledon. Said Cooke: “The model-cam will steal the show and this partnership with Google will feed that. Viewers will search for ‘Cara on the runway’, and their content will get propelled around the world”
  • Exclusive access to these models will also be provided over Google+, where a ‘Road to Runway’ digital diary will feature everything from the first fitting to the moment they hit the catwalk. There will also be a Google Hangout inviting viewers to see behind-the-scenes at Topshop’s headquarters ahead of the show and ask the design team questions as they apply finishing touches
  • Topshop’s YouTube page will feature a live feed on show day in a bid to broadcast the event much like the Oscars. Hangouts will air from the red carpet, backstage and the front row hosted by the likes of editor Melanie Rickey, blogger Chiara Ferrangi of The Blonde Salad, and beauty blogger Tanya Burr. Cooke said: “Our customisation of YouTube is a big deal, it’s not just Hangouts with one or two people; we’re using it as a live broadcast, like the Oscars, like a live behind-the-scenes documentary”
  • Google+ will also enable fans to ‘Be the Buyer’ with a hangout app that allows them to create moodboards of their favourite items from the runway while seeking video advice from Topshop’s own buying experts as well as those from Selfridges and Browns. This will feed data back to Topshop on what items or colours resonate the most with consumers
  • As with last season, every element of the show is also shopabble, from the new collection, to the make-up, nail varnish and music. The shareable Shoot the Show and Customise the Catwalk initiatives will also continue, evolved this time based on customer feedback
  •  Finally, there will also be a custom designed Google+ animated photo booth in Topshop’s Oxford Street flagship. Fans can try on outfits and have their pictures instantly uploaded to the store’s interactive digital window and Google+ page

If Burberry hadn’t already put London on the digital map, Topshop just did. Watch it all from 2.30pm GMT on Sunday, February 17.

Jourdan Dunn for Topshop Topshop.com live stream Topshop Google+ photo booth

All the digital highlights from #NYFW: 360° live-streams to Twitter trolls

12 Feb KennethCole_Smartphone_NYFW

It might have been the season that everyone played with Twitter’s new vide0-sharing app, Vine, but so too were there numerous other digital happenings around this New York Fashion Week. Here are the highlights:

KennethCole_Smartphone_NYFW

  • Tommy Hilfiger hosted a display featuring real-time updates from backstage, as posted on Twitter here and here

Vine scores big with #NYFW crowd

11 Feb AW13C-MarcByMarc-002.jpg.imageLink.original

If there’s one thing to note this New York Fashion Week it’s the enormous number of posts being shared on Twitter’s new video-sharing app, Vine.

Brands, media houses and industry personalities alike are getting into the habit, capturing six-second scenes from around the venues, backstage at the shows and of the collections on the catwalks themselves. Some of the big names include Victoria Beckham, Marc Jacobs, Oscar de la Renta, DKNY, Bergdorf Goodman, the CFDA, KCD, Glamour, Lucky, Elizabeth Holmes of the WSJ, Nina Garcia, Coco Rocha, Man Repeller and the list goes on…

It’s an obvious move for an industry that trades predominantly on visuals. Both Instagram and animated GIFs have been huge for exactly that reason, but the former was static and the latter too complicated to quickly create. Add them roughly together however and the result is something that shows fashion in all its glory – with movement and in real, raw detail. Better yet of course with Vine, in an instantly shareable format too.

“Vine is a big idea, yet it is a simple one—the two basic ingredients for a successful emerging technology recipe,” Raman Kia, Condé Nast Media’s executive director of digital strategy told Fashionista. “It is no wonder that some brands are quick to jump in and experiment with it. This is especially true of fashion brands which have often been amongst the first to experiment with emerging social media platforms.”

On Twitter, Amy Odell of Buzzfeed asked at the beginning of fashion week: “Are runway photos even worth tweeting anymore?? (Kimberly Ovitz) #nyfw pic.twitter.com/VS1wLOfv.” Model Coco Rocha replied: “@amyodell the only worthwhile means of sharing the runway this season is Vine.”

It’s still early days however, with certain refinements including sound, zoom and drafts needed on the platform. There are likely developments to come on what people opt to post too – the endless finale shots from fashion week have become somewhat repetitive for instance, albeit successful when from a good angle. (Note my attempt at better quality by cheating with the live-stream of marc by Marc Jacobs above).

Either way, expect to see a lot more in this space. In the meantime, here are a handful of the highlight Vines from #NYFW so far:

Spring films arrive from Lanvin, Calvin Klein and David Beckham Bodywear for H&M

9 Feb Fashion David Beckham

It’s been a bit of a week for fashion film releases, with highlights coming in from Lanvin, Calvin Klein and H&M surrounding the spring/summer 2013 campaigns.

 

Lanvin, a firm favourite every season thanks to the genius of creative director Alber Elbaz, has unveiled a spot that seems as though it’s just focusing on the print shoot in action. The models are each seen posing in beautiful surrounds very calmly, before suddenly a Skype call comes in from Elbaz who was unable to get to New York due to Hurricane Sandy.

What follows is highly amusing commentary from him on the “sick perspective” and “beautiful lighting” of the campaign. “It’s very very poetic, very chic,” he says. “There’s something very Californian about [it]… You know I’m still at the office. I feel I’m in a dream, I feel I’m in a cloud.”

 

Calvin Klein meanwhile, followed its Super Bowl underwear spot with the rest of its spring/summer campaign. Actor Alexander Skarsgård and model Suvi Koponen both star in its film, Provocations, which sees the men’s and women’s Calvin Klein Collection, ck Calvin Klein and Calvin Klein Jeans brands all brought together for the first time. There are three variations of it available: 10 minutes, 60 seconds and 30 seconds (above).

Shot on location in California by Fabien Baron of Baron + Baron, it focuses on recurring elements of fire, air and water as the pair are seen in a variety of “sleek, architectural settings to dark and mysterious milieus”.

 

And H&M roped in film director Guy Ritchie to shoot David Beckham in his first video spot for the retailer. The ad sees Beckham chasing after his family car after his bathrobe gets stuck in the door. As he runs / jumps / swims through the Beverly Hills neighbourhood he continues to lose other items of clothing remaining in just the boxers from his Bodywear line.

“David makes the perfect leading man,” said Ritchie. “For me this felt more than a campaign; it was like directing a short film.”

Digital snippets: Donna Karan, Kate Spade, Natalie Massenet, Tommy Hilfiger, Alexander Wang

7 Feb DonnaKaran.jpg.imageLink.mediumImage

Some more great stories from around the web surrounding all things fashion and digital over the past week:

  • Anjelica Huston gets behind the camera for Donna Karan hosiery film (as pictured) [Telegraph Fashion]
  • Kate Spade’s digital play [WWD]
  • British fashion gets a web dynamo: Natalie Massenet [NY Times]
  • Tommy Hilfiger launches “le voyage seafarious” campaign, first ever webisode [Vogue.it]
  • T by Alexander Wang taps Bon Qui Qui for spring video [AdAge]
  • Rachel Roy opts for digital runway show [WWD]
  • Whistles launches new website [Whistles]
  • Milk Made’s top 10 Instagrams to follow for NYFW [Milk Made]
  • How Pose became the ‘Instagram of fashion’ [Mashable]
  • Here’s Net-a-Porter’s new magazine The Edit [Fashionista]
  • Pinterest’s retail problem [AdWeek]
  • Ebay in agency talks over fashion project [Campaign]
  • Seven apps perfect for fashion week (or any week) [Refinery29]
  • Branded mini-movies as China marketing tool: boom or bust? [JingDaily]

How to follow #NYFW online

7 Feb nyfw-runway-2

nyfw-runway-2

In case you didn’t already see it, and now that New York Fashion Week is a go, be sure to check out this piece from Mashable on keeping abreast of it all from home: How to follow New York Fashion Week online

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