Tag Archives: culture

Velocity revisited: key quotes from Stefan Olander and Ajaz Ahmed for brand marketers in 2013

9 Jan Velocity

Velocity

I recently rediscovered my copy of Velocity: The Seven New Laws for a World Gone Digital, written by Ajaz Ahmed of AKQA and Stefan Olander of Nike, and published last summer.

In it are dozens of tabs bookmarking pages with my favourite quotes on, so I thought I’d share some of them here. It’s one of the most valuable books I’ve read regarding the movement of digital communications for brand marketers, and highly applicable to the fashion industry just as much throughout.

If you haven’t already, do pick up a copy – I defy you to get through it without likewise picking up the highlighter pen…

Stefan: “Without a platform to manage and nurture every interaction with its consumer, a company has no spine.”

Ajaz: “We’re in the age of connectedness. The solution is to create work that people want to share. Ideas that define culture rather than follow it.”

Stefan: “Belief in your ideas and an environment that encourages risk taking is incredibly important to create acceleration.”

Ajaz: “The philosophy has to be: let’s use the technology to make this the best way to do something, or let’s not bother doing it at all. The goal has to be about making a new experience an order of magnitude better than the existing way.”

Stefan: “People will usually thank you for taking the responsibility to curate their choices, for making things simpler for them, for doing the truly inconvenient stuff on their behalf. This means editing down product lines and ramping up product benefit.”

Ajaz: “Brands that have authentic, believable values use the spirit and energy of those convictions to ease effortlessly into any new environment. Even with a pre-digital heritage, they’ve found interesting methods and ideas to express their stories.”

Stefan: “We’re not chasing eyeballs. The goal is to create connections with our customers and earn their loyalty by serving them. The better the service, the stronger the connection.”

These two guests comments also stood out:

Trevor Edwards, VP of brand and categories at Nike: “The single biggest opportunity today is that buying a product or service marks the beginning of the consumer relationship.”

And in the intro by Richard Branson: “We’re living through a time of big and little changes in the way we do just about everything and the only people and organisations guaranteed to make fools of themselves are the ones who think they have got it all figured out.”

Now there’s something to consider for the year ahead…

James Bond exhibition kicks off with online documentary focused on tailoring and style

5 Jul

 

The Barbican Centre in London has released a short documentary looking at the tailoring and styling of James Bond in celebration of the 50th anniversary of the iconic character.

The spot was created to accompany an exhibition showcasing the design and craft behind the movie series. “Designing 007 – Fifty Years of Bond Style“, is a multi-sensory experience opening on July 6, documenting everything from the costumes, set and production design, to the automobiles, gadgets, weapons and special effects.

The film (as shown above) sees Oscar-winning costume designer Lindy Hemming alongside tailors such as David Mason, creative director at Anthony Sinclair, and Ritchie Charlton, managing director of Douglas Hayward, looking at the varying styles of Sean Connery, Roger Moore, Pierce Brosnan and Daniel Craig.

Says Hemming: “Bond is a British icon, but he’s a world citizen, and he’s beloved all over the world and he’s iconic all over the world, so what he looks like has to not just suit England and Britain but it has to actually be acceptable to the world.”

The spot also describes details such as the silk turned-back cuff worn by Connery in the first film as a sartorial nod to author Ian Fleming’s own style.

The exhibition has been created in collaboration with EON Productions, with unprecedented access to their archives. It was designed by Ab Rogers and curated by the Barbican alongside fashion historian Bronwyn Cosgrave and costume designer Hemming.

There is also another short film available that focuses on the design and craft of the sets, vehicles and accessories.

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