Tag Archives: Style.com

Digital snippets: Debenhams, Harrods, Style.com, Target, Vanessa Bruno, J Crew

29 Aug

Some more great stories from around the web surrounding all things fashion and digital over the past week:

  • Debenhams rewards engagement with Facebook credits [New Media Age]
  • Target takes control of its e-commerce [WWD]
  • Behind-the-scenes on Vanessa Bruno’s new campaign starring Kate Bosworth [Vogue.co.uk]
  • See Alexa Chung’s second Madewell collection: video [The Cut]

Digital snippets 08/04

8 Apr

Some more great stories from around the web surrounding all things fashion and digital this week:

  • Mary-Kate and Ashley Olsen to launch personalised shopping website, StyleMint.com [The Cut]
  • Miu Miu unveils new e-store in US, Japan and across Europe [FTape]
  • Behind the scenes with the celebs in H&M’s new Fashion Against AIDS campaign [Interview]
  • Style.com to launch print edition [Adweek]
  • Twitter to offer brand pages in the same vein as Facebook [Marketing]
  • Living Social valued at $3bn after funding round [Dealbook]

Digital snippets – 07/03

7 Mar

Dolce & Gabbana A/W 2011/12

I’ve returned from a work trip to an inbox full of digital news and launches. Here are a couple of highlights:

  • Live-streamed backstage videos and a wall of tweets at Dolce & Gabbana in Milan [Vogue.com]
  • Office celebrates launch of its first designer collaboration with PPQ with an exclusive video [Office]
  • Behind the scenes on a Uniqlo shoot with Orlando Bloom and Charlize Theron [Vogue.co.uk]
  • And not stricly speaking anything to do with digital, but an update on the Galliano story. Despite being fired from Dior following his arrest and the subsequent release of an incriminating video, his show went ahead in Paris yesterday. Reports also state the collection will go into production. [Reuters, Style.com, Vogue.co.uk]

Carine Roitfeld on the future of fashion

23 Feb

There’s a great interview with Carine Roitfeld, post her departure as editor-in-chief of Paris Vogue, by Dirk Standen as part of the Future of Fashion series over at Style.com,

“A lot of things have changed, and when you’re working you don’t see all these things changing. But when you stop, you can see it. You have to understand the new way of working with fashion,” she said.

Inevitably, she referred to the internet…

“Everything is going so quick now with the Internet, with the blogs. It’s very important. There are two possibilities; either you go very quick to the Internet or you go to magazines and you make it like a collector’s item. [I still think] it’s very normal to have all these fashion weeks and to go to all these shows. Can you show them through movies? I don’t think this is possible. It’s very exciting to be at the runway, to hear the music, to feel the atmosphere, to feel what people like or don’t like. Even if there are too many shows—I would love if there were less shows—I think we have to live with the shows. But after, maybe there is another way to make fashion stories.”

Having said that, she was fairly pro Tom Ford’s exclusivity strategy:

“I think it was very smart of him, just 100 journalists in his shop, and he was talking about each model and he had a sense of humor, so you see a lot of people laughing, which is fun… He did totally the contrary of everyone else and he made a big buzz, a big excitement. I think it was good not to see the [clothes] afterwards immediately on the blogs. For the editors, you feel more VIP, and it makes the buzz bigger and everyone knows about the Tom Ford collection. And really nothing came out. It was very controlled.”

Read the full interview, here.

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