Tag Archives: Twitter

Why and how fashion brands should be on Vine: Meagan Cignoli creative interview

14 May

 

When Vine, Twitter’s six-second, video-sharing app, launched earlier this year, a flurry of fashion content followed from brands as varied as Dolce & Gabbana, Calvin Klein and Burberry. Jump forwards a couple of months (and out of fashion week season), and content from those same designers has gone somewhat quiet – 78 days, 32 days and 20 days since they posted respectively.

What’s left however is a collection of brands that are working out how to use it more effectively. When the hype of a new platform inevitably subdues, sometimes it’s those that stick around and keep with it that end up the most successful, even if their path to get there is somewhat bumpier. Of course for fashion, the disconnect has been the distinct lack of control they are afforded in the app; Vine videos often look far more raw than the usual slick creative seen in the industry, and the logistics of posting is quite restricted.

Meagan Cignoli, a New York-based photographer who has made a name for herself for the stop motion work she is doing on the platform, says it’s for this exact reason however, that fashion should get stuck in. “[Brands] needs to let go a little and enjoy apps like Vine for what they are rather than trying to control the creative to such an extent that it loses its momentum,” she says.

She’s already been hired to create beautifully captivating Vines for big names including Puma, French Connection, Macy’s, Benefit Cosmetics, eBay Now and home stores like Lowe’s. I caught up with her to hear a little more about her thoughts on the platform and its application for this industry…

Your stop motion work on Vine is beautiful, how did it come about?

“Actually I’d never done it before. I shoot still, but I realised doing this on Vine is like shooting many many stills consecutively to create movement, so it was a very natural leap. Most of my inspiration comes from a still moment as a result. I think about something being really beautiful and then I make it move. I see a picture of a place, or a setting at a table, or a dress, and I think I can make that look really really cool if I move it around in a series of photos. It’s just a matter of readjusting them as you go, which is what photography is anyway really.

I get up to about 100-120 frames in each Vine I do, but I use my finger. You can apparently get up to 140-160 if you use a mouse or stylus.”

How did your brand partnerships first begin?

“I just started experimenting on Vine initially, and only a few months ago, but within the first week I got a call from Lowe’s. A lot of publicity followed that work, in Advertising Age and in The Wall Street Journal for instance. Since then I’ve had a different brand getting in touch with me every other day and wanting me to work on this advertising for them.

It’s a total dream come true because I’m given so much creative freedom. I’m not just coming up with the concepts but directing and shooting the Vines too. Every project is so different and that’s why it’s so fun right now.

French Connection’s PR team in London asked me to do it as a trial with just three Vines to begin, and people went crazy for it. It was a big learning experience for me – I’m used to working with a huge team and a big studio with stylists and the like, but with this I had to go and pick up the clothes from the store myself. I then had to shoot the thing alone as well. When I do my own Vines it’s a tiny space I’m operating in, using my own hands to adjust things. But once it gets bigger with items of clothing, I need the extra help. I quickly realised it was necessary to get a stylist and an assistant.”

Do you think all of the fashion industry should be thinking about Vine?

“I’m always so shocked that more companies aren’t doing it. They have accounts but they haven’t pushed it. It’s an incredible form of advertising and method of getting out there, so why wouldn’t you?

It’s so new and it’s rapidly moving – there are 2,500 Vines being uploaded per hour, and the people on it are just scrolling through it all day. The first minute I post I get 50 likes, that’s amazing to me. If your post becomes popular enough and gets picked up on Vine’s featured page, it’s like having a commercial all day that essentially you’re not paying for. There are roughly 40,000 people looking at that page every day at a minimum, I would say. And the content doesn’t change on it for 13 hours, so you just stay up there.

The issue is that it does take a level of commitment to do it properly – you need to be getting content out every week if not every day. French Connection and Puma are weekly deals for me. Other brands are just doing short campaigns, so a lot of content in a short amount of time and there’s a level of benefit to that too. But if you think about it, a TV commercial would run over and over and over; a Vine only has a span of half a day, so I can’t help thinking there’s more benefit in being in front of this audience on a daily basis.”

What do you think the restriction is for the fashion industry, how would you tell them to approach it?

“These brands have gone so long with everything having to be approved, checked and made sure it’s on-brand, it’s much harder for them to push out content on a daily basis. The way Vine is set up you have to upload immediately too, so that makes it more complicated.

They just need to let go a little and enjoy the app for what it is, the quickness and easiness of it. If they can find a way to do that, it’s going to be much more beneficial even if what’s going out isn’t always the most amazing piece of content.

Urban Outfitters for instance, doesn’t have the best, but they’re always doing them and it’s worked for them. Gap in comparison does beautiful Vines but you never see them because they’re not doing them enough. If they’re gorgeous but not so often, then they’re hidden away.”

How do you go about posting in a logistical sense considering Vine doesn’t allow you to save and publish at a later date?

“I shoot it on airplane mode, write the caption and save it to my photo gallery. I then send the file to whoever is my contact at the agency or brand. If they’re happy with it, I then switch back on and post it from there.

French Connection has been pretty good about me just uploading it. Puma is also incredible, saying I can just post as many as I want. Lowe’s in contrast flies in and every single one is approved. I then hold it on airplane mode and post the content a week later. I have five iPhones here as result, if I’m shooting multiple in one day then I have to have.”

Would you want them to change aspects of Vine to make this all easier then?  

“If you could choose what to upload when, that would be great. So if I could shoot five at a time, then stagger when they post; because no one wants them to all go at once.

But I think it’s great that you can’t upload what you didn’t create in the app. These sort of strict guidelines as to what you can do is great, it’s like a game, you have to work against the rules. It’s hard if you’re not on Vine to understand what is a good Vine. Once you use it yourself and know how difficult it is, that it can crash or that you can’t edit it, then it becomes all the more challenging and more fun to do.”

Meagan is hosting an online class from May 29 with Skillshare, which will provide tips for others on how to create compelling stop motion work on Vine. The challenge will be focused on “animating your wardrobe”.

Below is a continued selection of both her own Vine posts and those for numerous brands, as well as a video of several of them tied together. Be sure to look out for more of her work for French Connection and Puma going live on Vine throughout this week too.

The fashion and beauty accounts featured in TIME’s 2013 best of Twitter list

5 Apr CocoRocha_header

CocoRocha_Twitterpic

There’s an interesting cross section of both brands and individuals in the fashion and beauty category of TIME Magazine’s 140 best Twitter feeds of 2013 list. Among them are the likes of Coco Rocha (as pictured) through to Michael Kors, as well as teenage blogger Tavi Gevinson and Sports Illustrated model Kate Upton. Got to love the inclusion of the Museum at FIT though.

Here’s the full list, as well as the reasons why:

Tyra Banks: Following Tyra Banks on Twitter is sort of like watching her give advice on America’s Next Top Model — and we mean this in the best way possible. Her empowering, chase-your-dreams tweets will have you feeling fierce in no time.

Tavi Gevinson: While the rest of us probably spent our teen years hanging out at the local diner, the sixteen-year-old editor-in-chief of RookieMag attends haute couture fashion shows and makes late-night show appearances. It’s okay though, we can all live vicariously through Tavi by following her on Twitter.

Michael Kors: Designer Michael Kors uses Twitter to preview his upcoming collections, offer style tips and dispense advice for aspiring fashionistas looking to break into the industry.

Maybelline: Maybelline’s Twitter feed won us over the moment it started live-tweeting episodes of Gossip Girl. Think of Maybelline’s social media persona as the friend you had in high school who was always good with beauty products — offering make-up dos and don’ts daily for women everywhere.

Museum at FIT: With clothing dating back to the 18th century, the collection at the Museum at FIT is extraordinary. If you are unable to make the trip to the Big Apple, the museum highlights items from their collection daily on Twitter with recurring themes like ‘Historic Dress of the Day’ and ‘Accessory of the Day.’

Laurel Pantin: Glamour’s Associate Accessories and Shopping Editor Laurel Pantin tweets from every press preview, every party and every meeting she goes to. In her position, that’s a lot of tweets. If you like fashion and want to know what’s going on in the industry this very minute, you can do it just by following her.

Nicole Richie: Even though she’s now a mother, author and fashion designer, Nicole Richie’s Twitter feed feels like a throwback to her The Simple Life days. Whether she’s tweeting about how good she looks or being exhausted from wearing jeans, her sense of humor is apparent in every tweet.

Coco Rocha: Coco Rocha is more than just a pretty face. The model turned TV star keeps her Twitter followers up to date on the latest episodes of The Face and various other fashion projects.

Kate Upton: Model Kate Upton really is America’s “girl next door.” Despite what you may have thought after looking at Sports Illustrated’s Swimsuit issue, she doesn’t usually hangout in arctic conditions wearing little to no clothes. As her Twitter feed makes clear, Upton’s just a normal gal who enjoys the company of her girlfriends and her pet boxer.

VFiles: Fashion doesn’t have to be so serious, ladies and gentleman — which is what makes VFiles’ Twitter account particularly brilliant. Along with hilarious one-liners, you’ll find interesting commentary from VFILES on fashion and pop culture.

Digital snippets: Louis Vuitton, Victoria Beckham, Dior, Shazam, Amazon

3 Apr LouisVuitton

Some more great stories from around the web surrounding all things fashion and digital over the past week:

 

  • Louis Vuitton promotes “prostitution chic” in controversial short film (as above) [BrandChannel]
  • Dior parades exclusive lip colours via one-day Twitter activation [Luxury Daily]
  • Amazon’s confused foray into fashion tries to please too many women [Pando Daily]
  • Stefano Gabbana’s Twitter tirade after tax evasion ruling on sale of D&G [Daily Telegraph]
  • Augmented reality, intelligent mapping: fashion and tech collide in China [JingDaily]
  • That’s So 2012: have Pinterest, Foursquare and Groupon peaked? [Inc]

Alice + Olivia, Topshop kickstart prom season with online push

31 Mar Topshop_prom

AliceOlivia_prom

A number of designers and retailers are reaching out to teens through a variety of online initiatives in the build-up to the forthcoming prom season.

Alice + Olivia is one such example; utilising social media to do so. The brand’s designer and founder Stacey Bendet is hosting a live Twitter chat on Tuesday, April 2 at 3pm EST. She will be answering questions and giving styling tips to help shoppers achieve the “perfect prom look”.

Users can submit questions via the hashtag #askstace.

Topshop_prom

Topshop is also looking to prom with a series of store events held in specific cities during March (three in the US and five in the UK), and a collection of dresses, accessories and shoes inspired by a touch of Kurt Cobain grunge.

All of that is tied together with online content including the below film from director Sean Frank. Referred to as a “vintage-inspired ride in getting prom perfect”, the clip is cast with a filtered light as the model is seen getting ready for the evening, dancing under a disco ball and ending up jumping in the swimming pool.

The British-based high street retailer has slowly been upping its focus on more holiday-based marketing – pushing out relevant collections around the likes of Halloween, holiday and Chinese New Year with dedicated campaigns. Doing so is of course further cementing its presence in the US market especially. Expect more to follow.

Cara Delevingne’s outdoor ad flies on social media

19 Mar Love_headline

Here’s one way to grab attention with your outdoor campaign: stick a famous model on it and hope she’ll snap a pic of it to send out to her 1.5m or so combined social media fans.

That’s what happened with Love magazine’s billboard of Kate Moss and Cara Delevingne on Ocean Outdoor’s Holland Park roundabout space in London last week. In place for just three days to celebrate the cover stars of its latest issue, an image of it went viral when Delevingne herself shared it over Instagram and Twitter.

“Check me out on that round a bout! LOVE @thelovemagazine,” she wrote, attaching a shot of the poster showing each of the models posing in the bath nude.

That Instagram shot (taken on March 14) now has nearly 60,000 likes on it.

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Lovemag_CaraDelevingne_KateMoss

All the winners from the 2013 Fashion 2.0 Awards

14 Mar Robert_Yuli_and_Simon_web_CF.1_banner

Fashion 2.0 Awards host Robert Verdi; Style Coalition founder and CEO Yuli Ziv; Simon Doonan, Barneys New York creative ambassador at large - pic by Patrick McMullan

Marc Jacobs took the top innovator award at Style Coalition’s fourth annual Fashion 2.0 Awards in New York last night, an event dedicated to celebrating the best in communications strategies across digital media platforms.

Voted for by the public, the event also saw Jacobs taking the best Facebook title. Saks Fifth Avenue won two awards too: best blog by a fashion brand, and best website.

DKNY was named best Twitter for the fourth year in a row, while the Fashion 2.0 visionary award was presented to Rent the Runway founders Jennifer Hyman and Jenny Fleiss in acknowledgment of their “achievements in disrupting the retail industry and democratizing luxury fashion”.

Here’s the full list:

Pic courtesy of Patrick McMullan

Digital snippets: Alexander Wang, Warby Parker, Gucci, Nars, Ray Ban, J Crew + more

3 Mar Wang

It’s been a little while since one of these round-up posts on other interesting fashion and digital stories sourced from around the web, so there’s far more than usual. Each of them is however, of course, as interesting and relevant as ever…

  • Alexander Wang teams up with Samsung for crowdsourced handbag (as above) [Mashable]
  • Google reportedly in talks with Warby Parker to design stylish Google Glass frames [Techcrunch]
  • Gucci ups mobile conversion 70% via optimised site [Luxury Daily]
  • Nars tests Pinterest’s selling potential [Mashable]
  • Ray Ban launches real-life ambermatic lens app installation [DigitalBuzzBlog]
  • This is personal: J Crew debuts an in-store styling app [Refinery29]
  • How John Lewis uses Pinterest, Facebook, Twitter and Google+ [Econsultancy]
  • Lizzy Caplan’s Viva Vena fashion film is one of the best satirical ads you’ll ever see [Slate]
  • The business of blogging: Garance Doré [BoF]
  • Shopping in the future: Glasses.com’s augmented reality fitting-room app [AllThingsD]
  • Will Apple’s plans for an iWatch herald a new era of wearable tech? [The Observer]
  • Farfetch fashion hub: meet the curator of curators [Wired]
  • Business Of Fashion gets $2.1m seed funding from Index, LVMH and more for its no-nonsense B2B fashion blog [Techcrunch]
  • How your tweets during fashion shows are driving sales [Fashionista]
  • Fashion buys into social tools [NY Times]
  • Online upstarts explore a new model for fashion media [BoF]
  • Why retailers are pinning hopes on Pinterest [Reuters]
  • 10 great uses of Vine during fashion week [The Cut]

Dolce & Gabbana: #MFW’s social media winner

27 Feb DolceGabbana_AW13_1

DolceGabbana_AW13_6

I started this post with every intention of writing only about the beautiful videos Dolce & Gabbana has been posting on Vine surrounding its Milan Fashion Week show this week. Three in particular stand out – each of them zooming in on the intricate detail of the brand’s autumn/winter 2013/14 collection; the Byzantine and Venetian mosaic dresses, the elaborate jewellery and the beautifully beaded accessories.

Alas, those six-second loops are only viewable within the app itself and not on the brand’s Twitter or Facebook pages where they could also have been posted. On those instead however, is such a wealth of rich and relevant content on the collection otherwise, that it still seemed worth highlighting.

The craftsmanship and the inspiration behind the line – that would be the golden mosaics of Sicily’s Cathedral of Monreale – are the focus.

“It’s all in the details: the shoes of the Mosaics Collection are as intricate as the clothes,” reads a photo album dedicated to footwear images on Facebook. It was posted less than 12 hours ago and already has 30,000 likes and over 5,000 shares. The shot below by itself, meanwhile, has 7,000 likes, nearly 2,500 shares and over 500 comments.

DOlceGabbana_AW13_3

There are also albums dedicated specifically to the collection as a whole, the handbags individually, and the action backstage at the show. Each were originally posted on Swide.com, the Italian brand’s editorial property, which also hosts pages all about the sunglasses, the jewellery and the textures, not to mention the architecture and the mosaics of the cathedral itself.

For record – albeit a little repetitive by this point – there are also multiple posts on the brand’s Pinterest, Instagram and Tumblr pages.

A pre-show video meanwhile documents in a beautiful 30-seconds the artisans at work on their “slow and precise” mosaic-making. “The Mosaics Collection is perhaps one of the most intricate yet by Dolce & Gabbana which makes the video and crafts displayed all the more special,” reads the write-up.

And that’s the point here – the craftsmanship, talent and beauty of fashion is what so often makes it speak for itself if you just push the content out in the right direction. You don’t even have to like this collection to see why it works so wonderfully on social media.

 

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Matthew Williamson to magnify intricate garment detail in #LFW Vine strategy

14 Feb Matthew Williamson - MatthewMagnified

Matthew Williamson - MatthewMagnified

Vine might have been the big hit at New York Fashion Week, but the majority of posts lacked somewhat in the innovation, quality or insight department. Monotony was the main issue as six-seconds of finale or panning audience shots were uploaded one after the other at every show.

Here’s a heads up then – the Matthew Williamson show in London is set to approach it with much more in the way of a strategy. Known for his intricate handcrafted garments, the designer will use Vine as a means of showcasing details up close to real, raw and beautiful effect, as introduced by the designer here (and see below). As the models head down the runway on Sunday, February 17, animated backstage shots by photographer Sean Cunningham (of Burberry Tweetwalk fame) will be posted to Twitter that zoom and magnify in on the embellishment and beadwork in a bid to bring followers a more detailed view than those on the front row.

The concept takes its inspiration from Williamson’s #MatthewMagnified campaign on Facebook, which uses the Pic Jointer app (as above) to show still catwalk images alongside close-up detail shots of the fabric.

Here’s what Rosanna Falconer, head of digital for the designer, had to tell me about their plans:

“#MatthewMagnified has been hugely successful for us, our most popular campaign but also what we really wanted to drive home about the brand; it shows and conveys the luxury of Matthew, which you just can’t find on the high street.

We were trying to think of how to do this in a dynamic way for our show at London Fashion Week. We’re working with photographer Sean Cunningham who has created incredible GIFs in the past for Burberry and SHOWstudio, but we wanted to find something unique for Matthew. Sean got incredibly inspired by #MatthewMagnified, and the idea of an animated image that zooms in and shows the detail.

So we came up with our own kind of animated GIF concept, which is about being able to see closer than the front row. The issue was finding the ideal tech to show it, and Vine really was that. Better yet, being able to show over Twitter really made it all very achievable; it’s one very simple step.

Sean started having a play with it, and has created some beautiful work already. I love the way it’s such raw footage; the idea of it being Cinéma vérité, which is a French term for true-to-life documentary filmmaking. Rather than being a final polished campaign image, it’s what’s going on right now, live from backstage. It’s really special being able to capture that. Six seconds is the perfect length too – from full look to the magnified detail. Our attention span is getting ever shorter and these quick clips will show the catwalk condensed in its raw, backstage form.

We’re trying to give our followers better than ever access with a real, up-close quality. In many ways, it’s like a digital version of the go-see, which are the appointments made by press and buyers after the show to view the collection in greater detail. It’s the beadwork, the detail and the craftsmanship of the product right there.

It’s also not about tech for tech’s sake. I’m a great believer in only using digital innovation where it’s a good brand fit and not just for the sake of it because something is new and hip. Obviously everyone is speaking about Vine, but the important thing here is that we’re using it with an established campaign, the most successful thing we’ve been doing on social so far, and a concept we’ve been wanting to take further. We were looking for the means to do so and it’s a happy coincidence that this came together with Twitter so well.”

The show takes place on at 6pm GMT on Sunday, February 17. Follow @MWWorld on Twitter, search for him via Matthew Williamson on Vine, and watch out for the hashtag #MatthewMagnified.

All the digital highlights from #NYFW: 360° live-streams to Twitter trolls

12 Feb KennethCole_Smartphone_NYFW

It might have been the season that everyone played with Twitter’s new vide0-sharing app, Vine, but so too were there numerous other digital happenings around this New York Fashion Week. Here are the highlights:

KennethCole_Smartphone_NYFW

  • Tommy Hilfiger hosted a display featuring real-time updates from backstage, as posted on Twitter here and here
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