Tag Archives: Apple

Digital snippets: Beats by Dre, Alexander Wang, Apple, in-store tech, China social media

8 Jun

A round-up of the latest stories to know about surrounding all things fashion and tech:

beats_worldcup

  • Did Beats by Dre just out-Nike Nike with this incredible World Cup ad? [AdWeek]
  • Alexander Wang and friends bring SNL’s Mango back in latest ad [GQ]
  • Apple’s newest ad says we’re ready for wearables, now [re/code]
  • In-store tech, sales driver or hype? [BoF]
  • Beyond Weibo and WeChat: four chinese social platforms with big luxury potential [Jing Daily]
  • Regent Street to deploy beacon technology in shops [The Telegraph]
  • Tanya Taylor partners with Instagram artist Kalen Hollomon on coolest lookbook ever [Fashionista]
  • Nike unveils world’s first-ever 3D-printed performance sports bag [WGSN Tumblr]

Digital snippets: Nike, Burberry, Selfridges, DKNY, John Lewis, Burt’s Bees

4 May

It was perhaps Nike that was the buzziest of brands over the past couple of weeks, if you take into consideration both the successful launch of its unofficial World Cup campaign, Winner Stays (as above), and the rumoured shift in strategy for its FuelBand wearable device. That latter news reported the brand is laying off 70-80% of the fitness tracker’s hardware team in a bid to focus on software and the NikeFuel metric instead. A further interview with Nike President Mark Parker added fuel to the fire on a big partnership with Apple.

Burberry meanwhile was another brand with various stories to follow. It opened its new Shanghai store to much theatrical, multimedia fanfare; pushed yet another social tie-in via WeChat; launched an online store on Alibaba’s Tmall; and was announced as one of the first brands to advertise using Instagram video. And if that wasn’t enough, Angela Ahrendts just made that move officially over to Apple. “Did you notice?” asked the FT.

Safe to say, some other companies were up to things too. Here are the best of the fashion and tech stories not to be missed…

  • Selfridges launches biggest ever beauty campaign with Google+ partnership [Campaign]
  • DKNY shoppers go product hunting with Awear Solutions chips [FierceRetailIT]
  • John Lewis looks back on British history in TV spot to mark 150 years [Campaign]
  • Burt’s Bees creates promotional messages via appointments in digital calendars [NY Times]
  • What can fashion-tech companies learn from Instagram’s success? Co-founder and CEO Kevin Systrom shares his start-up secrets [BoF]
  • Instagram is brands’ best bet for consumer engagement… but not for long [Fashionista]
  • ‘Brand tagging’ mobile apps: China’s next selfie sensation [Jing Daily]
  • Fashion retailers eye up image-recognition apps for smartphones [The Guardian]
  • Microsoft to push into fashion space “like never before” as it boosts commitment to UK start-up community and unveils ASOS as partner [The Drum]
  • Why online retailers like Bonobos, Boden, Athleta mail so many catalogs [WSJ]
  • Crowdemand is like Kickstarter for fashion designers [Mashable]
  • Like a dating site for fashion, PopInShop plays matchmaker for brands and boutiques [Fashionista]
  • The golden era of ‘fashion blogging’ is over [The Cut]

The ugliest wearable technology is arguably that with the worst functionality

30 Apr

Wearable tech

“Why is wearable technology so damn ugly?” I asked in a piece I wrote for The Telegraph post-CES in January.

Now I’m speaking about it on air for CBC Radio’s Spark show. In a six-minute segment, we discuss everything from smart watches to heads-up displays, as well as the big name brands involved including Google and Apple.

Exploring the focus that has been placed on design versus functionality, I argue that some of the ugliest devices out there are due to the fact such little thought has been placed into what we as consumers not only want to wear, but even use.

Check the show out here

 

Fashion names star in Apple Mac’s 30-years ad

5 Feb

 

Dutch fashion designer Iris van Herpen is one of several fashion creatives to star in a new ad from Apple, a spot filmed using a series of iPhones over the course of just one day.

1.24.12, as it’s called (for the day it was shot), is a celebration of 30 years of the Macintosh. When the Mac was introduced, it promised to put technology in the hands of the people, Apple says, launching “a generation of innovators who continue to change the world”.

Van Herpen is seen in her Amsterdam studio working on one of her elaborate creations at about 43 seconds in. While many fashion designers work on a Mac these days, she is one of a few who also turns her ideas into reality using a 3D printer.

“Iris van Herpen initially saw the computer as a strictly two-dimensional environment. For someone who often begins the creative process by sketching on a mannequin, that wouldn’t work. But when she discovered 3D printing, everything changed,” reads the write-up on the Apple website, where a timeline has been created documenting creativity for the past 30 years.

irisvanherpen

Van Herpen is included under the heading for 2014 on the site, but two further dates are also relevant to the fashion industry.

1996 is dedicated to Tinker Hatfield, who is the designer behind many of Nike’s most popular shoes. He said the Mac enabled him to experiment more freely in terms of different materials, contours and patterns, and to see all his designs instantly. “Apple gave us this amazing tool and a new way to do things. It was a little crazy, yet satisfying and liberating at the same time,” he is quoted.

The year 2000 is then focused on photographer Nick Knight, who created SHOWstudio.com, and in so doing, “changed how people saw fashion”. He pioneered fashion film, and was of course one of the very first to live stream a fashion week show. “I wanted to make fashion accessible to a broader audience. And I wanted to share more than static images,” he says.

Consumers are also invited to share information about when they first owned a Mac and how exactly they have used it, via an interactive portion of the 30 years microsite.

A short documentary about the Mac’s history has also been released, featuring Van Herpen, Hatfield and Knight, among others…

Digital snippets: adidas, Louis Vuitton, Neiman Marcus, Bitcoin, American Apparel

20 Jan

Here’s a highlight of the best stories in the fashion and tech space over the past couple of weeks…

adidas_Stan_Smith_Popup

  • adidas launches Stan Smith pop-up store, includes 3D-printing station (as pictured) [Dexigner]
  • Louis Vuitton debuts spring campaign on Instagram [Refinery29]
  • Neiman Marcus CEO apologises for data breach, offers free credit monitoring [The Verge]
  • Overstock CEO: Why we’re accepting Bitcoins [CNBC]
  • Five reasons why American Apparel is bullish on Twitter [AdWeek]
  • Aerie’s unretouched ads ‘challenge supermodel standards’ for young women [Huffington Post]
  • Warby Parker launches interactive 2013 annual report [Laughing Squid]
  • Wet Seal hires 16-year-old to build its following on Snapchat [AdAge]
  • François-Henri Pinault puts his money where his mobile is via Square, hints at future for luxury world buying into tech [FT Material World]
  • Show business: are fashion shows still relevant? [BoF]
  • Beacons: what they are, how they work, and why Apple’s iBeacon technology is ahead of the pack [Business Insider]
  • Personalisation is key for beauty omnichannel strategy: L’Oréal Luxe exec [Luxury Daily]
  • Try on virtual make-up and pay with your hand with retail tech at CES 2014 [BrandChannel]

Digital snippets: H&M, Instagram, Uniqlo, Ferragamo, Urban Outfitters, Nike

6 Jan

Happy new year all and welcome to 2014!

It’s straight to Vegas for me and headfirst into CES for what’s looking set to be a week heavy on the wearables front. More of that to follow, but for now, here’s a highlight of some of the fashion and tech stories you may have missed over the past couple of weeks…

david-beckham-underwear_HM

  • H&M and Beckham return to The Super Bowl with ground-breaking shoppable TV ad campaign [WGSN]
  • Instagram reveals ‘promising’ results of Levi’s and Ben & Jerry’s ad trial [Marketing Magazine]
  • Ferragamo weaves founder’s history into fairy tale film [Luxury Daily]
  • Nike, MTV are top global brands on Instagram in 2013 [BrandChannel]
  • How in-store analytics is changing the way you shop [Fashionista]
  • Beacons: What they are, how they work, and why Apple’s iBeacon technology is ahead of the pack [Business Insider]
  • What fashion adds to the tech world: Vanessa Friedman on wearables [FT]
  • Smart eyelashes and fingernails: the next wave of wearable tech [Mashable]
  • Can Apple’s Angela Agrendts spark a retail revolution? [Fast Company]

Vogue promotes new iPhone 5C as major fashion accessory

17 Oct

Vogue_iphone5C

Vogue is continuing its focus on tech with a series of online editorial shots this week dedicated to the new iPhone 5C. Titled “How About Them Apples: How To Match Your Outfit to the New iPhone 5C“, the post sees the four new shades of the latest Apple phone coordinated with looks from this season’s resort collections.

“We already know we spend an inordinate amount of time with our iPhones—talking to them, sleeping with them under our pillows—and now, it turns out, we can even dress like them,” it reads. “If we were Angela Ahrendts (former Burberry CEO and newly appointed senior vice president of Apple), we might think of incorporating one of the season’s new shades—which include Day-Glo pinks, yellows, greens, and blues—into our first-day-of-work wardrobe.” The models pose in looks from the likes of Nina Ricci, Michael Kors, Versace, Dior, Reed Krakoff and Ralph Lauren.

The initiative seems like a massive advertorial, or Condé Nast’s attempts at sponsored posts (native advertising) à la Buzzfeed, but the lack of any sort of disclaimer suggests otherwise.

In which case, this should be seen as a pretty huge coup for Apple; it is after all just a plastic coloured phone, now cross-promoted on key Vogue properties including its .com site, Instagram, Facebook, Twitter and Tumblr.

Vogue_iphone5Cgreen Vogue_iphone5Cpink Vogue_iphone5Cblue Vogue_iphone5Cyellow

Digital snippets: Burberry and Apple executive special

15 Oct

The big news today has of course been about Burberry CEO Angela Ahrendts’ move to become an SVP at Apple, as well as the subsequent announcement of Christopher Bailey’s new title covering her role as well as his existing one as chief creative officer at the luxury brand. Here are the must-read stories on it:

AngelaAhrendts_ChristopherBailey

  • As outlined in a statement from Apple, Ahrendts’ role will be to have “oversight of the strategic direction, expansion and operation of both Apple retail and online stores”. She will join the company by mid-2014 and report directly into Apple CEO Tim Cook
  • Meanwhile, a tweet from Warby Parker co-founder Neil Blumenthal said the announcement is a signifier of how the “convergence of fashion and technology continues”, a sentiment that’s been echoed elsewhere. Vanessa Friedman of the FT wrote: “It also demonstrates the increasing give and take between luxury and tech, as great personal gadgets become luxury accessories, design plays a big role in brand equity, and luxury increasingly becomes tech-savvy”
  • Let’s not forget, Ahrendts is the second senior fashion executive to be hired by Apple this year. As reported by The Business of Fashion, Paul Deneve, former chief executive of Yves Saint Laurent joined Apple in July, and is thought to be working on wearable devices
  • But Ahrendts offers Apple another significant value too; namely understanding China. As highlighted by Quartz: “It is also gaining the expertise of one of the most successful luxury brands in China, which happens to be the world’s largest smartphone market and one of Apple’s target markets”
  • Over at The Telegraph there’s a great outline of how the first Apple Store came about under Steve Jobs, and grew to its 408 locations worldwide today. But it highlights how Ahrendts will not inherit a business without challenges. “Rivals such as Samsung and Microsoft have copied the Apple Store template and are expanding their own retail footprints around the world,” it says. And: “Apple retail has been without permanent leader for over a year following the brief tenure of former Dixons chief John Browett, who took over after Ron Johnson left in 2011 for the top job at JC Penney.”
  • But there’s also an argument the move is a bit of a step down for her – from the top of the pile at Burberry (not to mention the highest paid CEO on the FTSE 100 last year) to another fish in a big pond at Apple. Mashable has a few thoughts on that however, including the fact Apple could be grooming her for the CEO role in the future. It also outlines that Apple’s retail revenues are about seven times that of Burberry. (There’s some nice background info in this piece about the impact Ahrendts has made at Burberry too)
  • Meanwhile, the news of Bailey as Ahrendts’ successor at Burberry (taking on the dual role of chief creative and chief executive officer) has been met with mixed response. Shares dropped 7.6% on London’s stock exchange today, suggesting there’s not a great deal of confidence surrounding it, despite enormous backing from Ahrendts and from Burberry’s chairman Sir John Peace in the brand’s video announcement. During this, Bailey himself refers to the fact the brand has “only just started dreaming”, mentioning future strategies surrounding beauty and re-integrating Japan back into the business
  • As the Guardian reported, there were suggestions Bailey had been handed the top job to stop him following Ahrendts out of the door, though Burberry was forced to deny it. It instead reinforced the support he has in the rest of the company management team; in spite of the fact finance director Carol Fairweather only stepped into the role  in July this year, and chief operating officer John Smith joined in March
  • Another piece from The Business of Fashion notes  it is “truly unprecedented for a designer to graduate from creative director to chief creative officer to chief executive officer, as Bailey will have done when the transition is complete”. It asks: “Can Mr Bailey, someone who is not obviously au fait with the dollars and cents of balance sheets, intricacies of global supply chains and the excruciating detail of retail operations, run a multi-billion dollar creative business in every sense of the word and also communicate with analysts on Wall Street and in the City of London?”
  • As Friedman at the FT likewise says: “Now we have an art-school-trained man without an MBA atop a £7bn public company – albeit one who was always referred to by Ms Ahrendts as a “partner”. And we have final confirmation that these days, corporate and creative are becoming one and the same when it comes to high-end fashion. Argue all you want about whether or not it is a good development for either side (and I betcha people will argue) – the fact remains it has happened.”

Pic via Fast Company

Burberry shoots SS14 #LFW show on new iPhone 5S

16 Sep

 

The social media content surrounding Burberry’s spring/summer 2014 show at London Fashion Week was captured exclusively using Apple’s new iPhone 5S iSight camera.

The promotional move saw the British heritage brand able to make use of such features as a “larger sensor, better live exposure adjustment, auto image stabilization and live video zoom,” reported Mashable. The camera also includes a new ‘burst’ mode that allows users to shoot 10 photos per second, as well as an option for slow-motion.

The resulting creative work was edited into a YouTube video by Burberry straight after today’s show (as above), featuring models backstage, the collection coming down the runway, and celebrities including Sienna Miller and Anna Wintour interviewed outside. A 15-second – and truly beautiful – slow-motion piece on Instagram meanwhile, received over 20,000 likes.

See it below alongside some additional highlight shots from Instagram, Twitter and Vine:

Burberry_SS14_iphone5s_9Burberry_SS14_iphone5s_3 Burberry_SS14_iphone5s_4 Burberry_SS14_iphone5s_8 Burberry_SS14_iphone5s_10 Burberry_SS14_iphone5s_7 Burberry_SS14_iphone5s_1 Burberry_SS14_iphone5s_5Burberry_SS14_iphone5s_2

London amps digital to make fashion week more public than ever

13 Sep

This article first appeared on Mashable

london-fashion-week-somerset-house

New York Fashion Week came to a close Thursday, heralding the return of another fashion week in London. Once again, anticipation for the week is not limited to the collections themselves: The industry and the public are equally interested in what digital innovations the top design houses will introduce during their shows.

When one fashion house introduces a new digital innovation, it doesn’t take long for others to follow — if it’s good. One need only remember that fashion shows weren’t live-streamed five years ago, nor did designers reveal behind-the-scenes snapshots over Facebook, Twitter or Tumblr. Today, those are a matter of course.

But what’s next? New York saw Tommy Hilfiger introduce Lytro cameras and a “social concierge” service to its show this season, while Rebecca Minkoff experimented with messaging app Snapchat to debut its collection. For London Fashion Week, which runs from Sept. 13 through Sept.17, yet another round of ideas are on their way. Here’s a preview.

Celebrating London

Natalie Massenet, founder of Net-a-Porter and chairman of the British Fashion Council, published an open letter in UK newspaper The Evening Standard ahead of this season’s shows, calling for the whole of London to help raise the profile of British fashion by engaging in the excitement surrounding Fashion Week.

“All eyes will be on you as our international guests will be tweeting, Instagramming and reporting in nearly 50 countries across the world,” Massenet wrote, adding that this “will help grow our brands, stimulate exports, create new jobs and generally make us a must-visit city.” She invited the public to be their most stylish selves for the week to show their support.

Once a trade-only event, London Fashion Week has increasingly become an opportunity to speak directly to consumers. This is especially the case at the event’s headquarters in Somerset House, where an “Instabooth” has been set up to celebrate the best of the capital’s street style. Visitors will be able to print images of themselves as souvenirs as well as share their favorite looks on Facebook. Highlights will also be posted on the official London Fashion Week Instagram.

Meanwhile, a social media wall in the courtyard of Somerset House will provide running commentary on the shows, as pulled from anyone using the #LFW hashtag. Posts will be regulated to keep them appropriate, but the aim is for a visual insight into the experience of Fashion Week, whether that’s through catwalk looks, front row pics or celebrity sightings.

This consumer-facing strategy is being pushed out across the city in a year-long campaign. The British Fashion Council last week announced that every Friday for the next 12 months it will broadcast a fashion news bulletin, dubbed #FashionFridays, on screens situated on the London Underground. Beyond news and other fashion-related content, the BFC will hold competitions to encourage consumers to engage with the broadcasts using the hashtag.

The BFC is not the only one taking to the streets of London this season. Belstaff, which cancelled its New York presentation last weekend to focus on the opening of its London flagship this Sunday, is doing so with a bold statement. Playing on its motorcycle heritage, the British-born brand is closing off part of New Bond Street to welcome a parade of 50 bikers. In lieu traditional models, Belstaff is using “rugged” British guys in the parade, ones who are passionate about the brand, Emilie Hawtin, senior marketing and digital media manager, tells Mashable. “They are already wearing Belstaff; they’re getting it dirty and using it the way it’s supposed to be used,” Hawtin says.

During the parade, the bikers will perform tricks on vintage bikes, which The Sartorialist’s Scott Schuman will be on hand to capture. The well-recognized street style photographer will also shoot a series of intimate portraits of the bikers before and during the ride. The resulting images will be hosted on the Legends section of Belstaff’s website, which is already home to images of its oldest jackets and the icons who have worn them.

Enhancing show experiences

When it comes to the shows themselves this season, the two big moves come from Burberry and Topshop once again. Both are partnering with technology companies, albeit ones at radically opposite ends of the scale.

Burberry is teaming with Apple to capture its Spring/Summer 2014 collection using a set of not-yet-released iPhone 5S devices. Its team will capture both photos and video of the runway looks as well as backstage, which will be shared via social media. It’s a promotional rather than an innovative partnership, a way to leverage the buzz created by Apple’s latest device.

Having partnered with more established technology players in the past, this season Topshop has sought out a young mobile startup called Chirp to create a new experience for its show. Chirp is a mobile app that transmit images, notes or links through “digital birdsong” — users post their content, then hit a yellow button to emit a unique 20-note chirp, which other devices running the app nearby can pick up. The retailer will be using the app to send out images, including prep and backstage shots, to attendees of the show via several “Chirp locations” around the event site. Its Oxford Circus store will also feature a Chirp and Twitter “garden” full of digital content for shoppers to explore.

Other content highlights

Other London designers will be sharing their collections via a variety of digital means. Twenty-nine of 58 shows will be live-streamed throughout the week, including 18 from Somerset House, eight from Topshop’s new Regent’s Park venue, and from off-site locations chosen by Burberry, Mulberry and Paul Smith. The Christopher Raeburn, Sister by Sibling and Simone Rocha shows will also be streamed directly to the BFC’s Twitter feed.

Here’s a round-up of the rest of the social content to look out for:

  • The BFC is continuing its live Twitter Q&A sessions with industry insiders, including blogger Susie Lau of Style Bubble, using #AskLFW. This time, all of the responses will be recorded using six-second Vine clips.
  • Matthew Williamson is handing out props branded with the hashtag #ohMW (Oh My Williamson), encouraging attendees to tweet and Instagram photos of themselves with the prop. “We wanted a cute prop to make people feel at ease with the camera – we want to show personality and character,” says Williamson’s head of digital Rosanna Falconer.
  • Jonathan Saunders will use an app called Slidergram to showcase “slideshow-style videos” of key looks from its show, as well as backstage and close-up shots. All will be accompanied by the show’s soundtrack.
  • Paul Smith himself will be taking over the brand’s Instagram for the majority of the week, revealing pictures of Sunday’s show prep as well as the new Mayfair store opening Friday night using the #takenbypaul hashtag.
  • eBay UK has teamed up with video blogger Patricia Bright of BritPopPrincess for a series of videos focused on street style at LFW, with looks shoppable straight from eBay’s YouTube channel. eBay will also be revealing a capsule collection by designer Holly Fulton.
  • Pinterest’s fashion week hub continues in London, this time showcasing boards from the likes of Harvey Nichols, Anya Hindmarch and Mulberry.
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