Tag Archives: retail

Gap Inc‘s Art Peck talks digital disruption, aspirational brand expressions and enabling loyalty through relevance

13 Jun

ArtPeck_Gap

“We are entering into a period of significant opportunity driven by accelerated disruption coming from the continued pivot of customers into the digital space,” Art Peck, president of growth, innovation and digital at Gap Inc (which includes Gap, Banana Republic, Old Navy, Piperlime, Athleta and Intermix brands), said at Goldman Sachs’ fifth annual dotCommerce day in New York this month.

His key message: we might think we’ve seen change over the past decade, but in retail specifically we’re on the cusp of something much bigger. It will be equivalent to that of the 1950s and 60s when consumers moved from local variety stores to suburban bix box retailers, he said, referring to the wave that saw many of today’s mega brands, including Walmart and K-mart, hit the market.

What it’s about, he said, is the customer. Consider these statistics: a decade ago, only 3% of consumers in the US bought apparel and accessories online. 15% of them engaged online but still purchased in physical stores, and the remainder only shopped offline and had no digital engagement at all.

Fast forward to today and about 15% of the market is shopping online for apparel and accessories. Those not engaged with brands digitally has shrunk to only 13%, while the remainder this time are engaged online, even if they then still buy in the real world. “What that does,” said Peck, “is put an opportunity and an obligation on us.”

At this point in time the bulk of the industry has a transactionally-efficient website that acts as a complementary channel to their stores. What we need to move towards, he explained, is an experience both online and off that ties together the overall vision of the brand. “The digital expression of our brands needs to be a holistic, aspirational expression of the brand because that is in many cases what customers now base their choice on.”

Interestingly, it’s digital that he believes will also enable the company to achieve that uniform expression of the brand across its store portfolio no matter the size of the outlet. Today at a flagship store consumers are exposed to the entire brand in an aspirational way, whereas at a mall it may just be a small subset of that intention, and often not an aspirational one at all.

“Our vision here is we bring digital together with physical, and regardless of the store, where it is, the size that it is, the mall that it’s in – we give customers exposure consistently to the entire aspirational expression of the brand,” he emphasised.

At this point in time, Gap is working on doing so with initiatives such as replacing all legacy systems in stores with web services; so in-store and e-commerce now operate on one platform. The company therefore now has the capability to have global, virtual visibility on the availability of its inventory, and has been able to introduce the likes of its ‘reserve in store’ option for shoppers.

As of next month it is also testing out an ‘order in store’ system in a bid to counter that feeling of disappointment when consumers can’t find what they’re looking for on a trip out. Said Peck: “Our commitment with assisted or unassisted ‘order in store’ is you’ll never leave the store empty-handed, whether that’s a physical bag or a virtual bag that you’re carrying with you… That’s a huge economic opportunity for us. It’s moving that conversion yield.”

Omnichannel is the obvious buzzword he said, holding up his own smartphone as an example of the most important device for retailers to be thinking about. Mobile is pervasive, but also persistent in that it stays with consumers all of the time, he explained. It’s for that reason it’s a key driver for loyalty programmes, something the company is also focusing on with a new scheme testing at Banana Republic stores imminently.

Peck referred to loyalty as a ‘big one’ for the company, a driver for frequency and for share of wallet, but more importantly as an opportunity to “bring our personalisation capabilities and customisation relevance to bear in a store environment”. At the moment 60% of people visiting the website are recognised as unique visitors, enabling Gap to personalise experiences based on things like browsing and purchase history. Doing so is providing movement on numbers like conversion, time on website, CTR and more, said Peck.

“Good things happen for the customer if they’re willing to self-identify and tell us who they are at the beginning of a shopping experience. They do on the website, they don’t in our stores. If you come into our stores today we won’t recognise you until you tender, if we recognise you then.”

This loyalty programme is about providing the customer with the opportunity to self-identify in order for the company to create a much more relevant set of experiences compared to when they shop anonymously, he explained.

It’s that word, relevancy, that he picked up on as most important: “There’s lots of talk out there about big data – to me big data, personalisation is focused on an outcome of relevance. That’s what we’re working on.”

WGSN to host live Twitter Q&A on the future of shopping – send your questions to #askwgsn

9 Jun

LornaHall_WGSN_askwgsn

Trend forecaster WGSN might be best known for its design and product development work (seasonal colours, silhouettes, consumer insights and more), but it also analyses forward developments in retail strategy, digital marketing, merchandising and store design.

Sat under the umbrella of its market intelligence team, these are experts in their field on all things to do with the business side of the industry – note I’m shamelessly referring to myself in this category as WGSN is of course my employer. I’m a global senior editor on all things media and marketing related, by that I mean brand strategy, digital communications, in-store technology and more (of course in each instance always weighted towards how it pertains to the fashion and retail space).

But I also head up the social media content strategy for the company, overseeing our output across Twitter, Tumblr (award-winning!), Facebook, Instagram and Google+ (where you may have seen my mug hosting our business-focused monthly Hangouts).

To that end – I bring you the latest campaign, and urge you to get involved. On Tuesday, June 10 we will be hosting a live Twitter Q&A with Lorna Hall, head of the WGSN market intelligence team and resident retail expert. Hall brings with her a wealth of experience on exactly what is shifting the landscape and will be able to talk to absolutely anything to do with the future of shopping.

I’m talking legacy retailers and their moves to omnichannel; new focuses on innovation and integrating start-ups; big data, beacons and personalisation; search, shop and go, or the new paths to purchase re-engineering the ‘impulse buy’. Not to mention a bunch of other keywords and phrases like mobile, phy-gital, service, footfall drivers, experiential and more. You name it, Hall has the answer.

So please get stuck in, send us your thoughts using the hashtag #askwgsn – Hall will be online responding from 4pm GMT / 11am EST. The more you ask, the more we respond and the more content we regurgitate back out again. It’s a win win.

Digital snippets: Beats by Dre, Alexander Wang, Apple, in-store tech, China social media

8 Jun

A round-up of the latest stories to know about surrounding all things fashion and tech:

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  • Did Beats by Dre just out-Nike Nike with this incredible World Cup ad? [AdWeek]
  • Alexander Wang and friends bring SNL’s Mango back in latest ad [GQ]
  • Apple’s newest ad says we’re ready for wearables, now [re/code]
  • In-store tech, sales driver or hype? [BoF]
  • Beyond Weibo and WeChat: four chinese social platforms with big luxury potential [Jing Daily]
  • Regent Street to deploy beacon technology in shops [The Telegraph]
  • Tanya Taylor partners with Instagram artist Kalen Hollomon on coolest lookbook ever [Fashionista]
  • Nike unveils world’s first-ever 3D-printed performance sports bag [WGSN Tumblr]

Digital snippets: Prada, John Lewis, Comptoir des Cotonniers, Sephora, L’Oréal

1 Jun

A round-up of the latest stories to know about surrounding all things fashion and tech:

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  • Prada delves into visual past with Pradasphere microsite [Luxury Daily]
  • John Lewis picks iBeacons, smart-home Sonos rival, and 3D planning start-ups as final partners for JLab incubator scheme [The Drum]
  • You can now buy Comptoir des Cotonniers directly from ads on bus shelters in France [Fashionista]
  • The ROI: Sephora, Thismoment share results of Pinteresting beauty board launch [BrandChannel]
  • L’Oréal targets ads based on hair colour in online photos [AdAge]
  • ‘Vogue’ makes its Instagram shoppable with Liketoknow.it [Fashionista]
  • adidas promises to exclude consumers unless they opt ‘#allin’ to World Cup campaign [Marketing]
  • Visual search set to make world of imagery instantly shoppable [BoF]
  • Condé Nast drafts an internal ‘Magna Carta’ for native advertising [AdAge]
  • Lingerie brand turns to Snapchat for a voyeuristic, vanishing lookbook [PSFK]
  • Fruit of the Loom turns GIFs into Father’s Day gifts [AdWeek]
  • The power women who are reinventing the way you shop fashion online [Forbes]
  • Mary Meeker’s 2014 internet trends report: all the slides plus highlights [Quartz]

Digital snippets: Burberry, L’Oréal, Macy’s, Adidas, Uniqlo, Google Glass

23 May

A round-up of the latest stories to know about surrounding all things fashion and tech:

Burberry_tmall

  • How Burberry has fared in its first days on Tmall [Jing Daily]
  • L’Oréal launches virtual try-on make-up app [NY Times]
  • Macy’s is the first retailer to run Facebook’s auto-play video ads [Adweek]
  • Adidas app to print Instagram snaps on your shoes [CNET]
  • Google’s new fashion-savvy exec can’t fix Glass’ biggest flaw [Wired]
  • Burberry cites integrated marketing activity for revenue growth as EasyJet CEO joins the board [The Drum]
  • Op-ed: Why fashion is the next big thing in venture capital [BoF]
  • Why are fashion brands shying away from Tumblr? [Tumblr]

Former Topshop, Burberry exec launches Tunepics – an image-based music sharing app

22 May
Tunepics on the iPhone

Will.i.am, Kate Bosworth and Jamie Oliver are among some of the first celebrity names to be using a new music discovery app called Tunepics, while brands including Paul Smith, Chloé and asos are also on board.

Ever wanted to share a song with your photograph to help sum up the mood of the scene more than a filter alone can do? Now you can. Tunepics – launched in the app store for the iPhone and iPad today – enables users to pair images with relevant songs thanks to the iTunes API.

“Over 500 million pictures are uploaded to the internet every day, and over 100 million songs are downloaded each week. Together, that’s dynamite,” says the brains behind the new social network, Justin Cooke, former CMO of Topshop, now founder and CEO of innovate7. His aim is to help create the “soundtrack to your life”.

The experience is an intuitive one: you upload an image, place a filter over the top, then search the 35 million songs in the iTunes library by keyword to add them to your shot. The result appears in a feed alongside those from the friends you opt to follow; each one auto-playing a 30-second preview of the track as you scroll over it, as well as offering a ‘download’ button to buy the full version.

Posts can also be ‘re-tuned’ to your own followers, and shared via Facebook and Twitter where they will appear as a ‘tunecard’. For the likes of Will.i.am, that of course makes the app an appealing proposition for its potential to help drive record sales. It also provides a revenue stream for innovate7 through affiliate sales from iTunes (there’s no advertising model planned on the platform for now otherwise).

Cooke is particularly excited for the opportunity that lies in music discovery, both for consumers using the app and for young, emerging talent to start gaining recognition in a new way. On that basis, it launches with a specially commissioned soundtrack from British band, Ellerby, called Colour Me In.

But the premise of the app, which was built by agency AKQA, otherwise goes further than just being about music sharing and discovery. The aim is to provide multisensory experiences that evoke an emotional response.

“When you hear a picture, it changes everything; it awakens your senses. We want [Tunepics] to be like a cinematic celebration of your life,” said Cooke. “Music is the most powerful way to express the things we see and feel; nothing else comes close.”

To that end, the emotional response that posts receive from followers is also fully visible. Each is accompanied by an ‘emotion wheel’ (the design of which also makes up the app’s logo). This features a spectrum of 16 colours users can choose from, representing different feelings such as happy, moved, jealous and heartbroken.

Said Cooke: “A like doesn’t tell a story on its own anymore. When [Nelson] Mandela passed away, we didn’t want to say that we liked it, but that it moved us. This is all about enabling an emotional experience.”

Which is why this app also makes sense, from the off, for brands. Beyond the initial celebrity appeal, there are also the likes of Paul Smith, All Saints, asos, Dazed and Airbnb already on board.

The expectation is that embedding music into their social content will help heighten the moments they want to talk about. An example post from Paul Smith featured a collection of paint pots and the Rolling Stones track Paint it Black. “His response was that he couldn’t imagine life without music. That’s so powerful, and so true,” Cooke explained. In fact, a similar quote from philosopher Nietzsche features on the Tunepics introductory video from the innovate7 team: “Without music, life would be a mistake.”

Clare Waight Keller, creative director of Chloé, said the choice to join Tunepics from day one was an instant decision after a two minute pitch. “I just loved the added layers of emotion, simply adding music to an image really brings it to life. It’s like a way to capture what was going through your head in that moment.”

She also appreciates the emotion wheel. “[It] will be really interesting. ‘Likes’ have almost become empty gestures now, it takes no real thought to ‘like’ a picture. But to take the time to select the feeling the image inspired in you, shows real engagement. It’s a great way for Chloé to connect with our audience,” she explained.

Brands will also begin to benefit from the data said emotion wheel collates. Mood charts are displayed beneath each tunepic showcasing people’s responses, which suggests valuable consumer insights could be gleaned should the numbers creep high enough. Unlike Instagram, it is also possible to add hyperlinks to every post, which will prove quite the draw for the likes of Paul Smith again, and all those others with e-commerce capabilities.

It may come as no surprise to learn that prior to his role at Topshop, Cooke spent six years helping to lead the charge at Burberry – a brand not only with a longstanding music initiative in Burberry Acoustic, but with an unquestionable focus on emotive content tied to measurable business results.

Topping it all off is the fact those aforementioned filters are based on the weather – another theme familiar to Burberry fans. Every photograph uploaded can be enhanced with true-to-life overlays of the snow, raindrops, sunshine or even a rainbow.

“I’ve always had a fascination with music, colour, images and the weather, and how they influence our mood and emotions. I want people to be able to share the depth behind the moments they experience and to articulate all the ones that they dream of having,” Cooke explained.

Banana Republic surprises New Yorkers with #sharehappy deliveries

20 May

Sharehappy_bananarepublic3

Banana Republic brought happiness to New Yorkers today – literally – with a social-media-meets-real-world campaign that saw surprise deliveries sent all around Manhattan.

Tied to the promotion of its new Marimekko collaboration collection (launching online and in stores on Thursday, May 22), the US retailer invited its following to tweet with the hashtag #sharehappy to be in with the chance of sending a special treat to a friend. Users were directed to Sharehappyny.com to fill out a short form with their own name, email address (nice data collection there) and the address of their buddy.

All over Manhattan deliveries of cupcakes from Baked by Melissa and balloons were then made, accompanied by a little notecard saying: “Here’s a little something to make you smile.” Recipients were also encouraged to tweet and share the love with a “pay it forward to someone you love” call to action.

The likes of Olivia Palermo and Eva Chen also got involved, sending back snaps of themselves with their goodies. Check out some of the content below, including a Wear Happy video for the Marimekko line at the bottom…

Sharehappy_bananarepublicSharehappy_bananarepublic1sharehappy_bananarepublic_bikes

Whistles partners with Garance Doré on #bellesandwhistles video

19 May

British contemporary brand, Whistles, has launched a short video directed by Garance Doré to celebrate its further expansion into the US and France.

Called #bellesandwhistles, the spot features a cast of “modern, sharp and stylish” women living in the US, UK and France. Among them are Yasmin Sewell, a London-based fashion consultant; Elle Strauss, fashion director of Shopbop and Brit living in New York; Vashtie Kola, an American artist and DJ; Jeanann Williams, an American stylist; French actress Rebecca Dayan; and French DJ and creative consultant Cecile Togni.

They are each seen clapping, dancing and whistling along to the tune, as overlaid copy reads: “The Whistles woman is independent, quietly brilliant,  relaxed, discerning, elegant, intelligent, sharp, stylish.”

Jane Shepherdson, chief executive of Whistles, referred to the campaign as a digital first for the brand. “We see a great synergy between the aesthetic of both Whistles and Garance, which has been brought to life in the #bellesandwhistles film. To have such inspiring women working on and in the film is representative of the brand’s DNA, it’s like working with friends who understand you.”

The video launched on the Garance Doré website today, May 19, while shorter versions are also being posted to Instagram with the #bellesandwhistles hashtag. Consumer are simultaneously being invited to submit their own ‘whistling’ clips on the platform for a chance to win a shopping spree in the store.

Whistles is opening its first brick-and-mortar presence in the US, with a concession at Bloomingdale’s in New York. It is also supplementing its already established concession at Le Printemps, with Le BHV Marais this month and will roll out a French language website this summer.

Digital snippets: Matthew Williamson, Gap, Amazon, Instagram, Wanelo, Tinder

14 May

A round-up of the latest stories to know about surrounding all things fashion and tech:

MatthewWilliamson_Instagram

  • ‘Is it scalable? I think it has to be,’ Matthew Williamson head of digital on customer acquisition through Instagram [The Drum]
  • Amazon launches #AmazonCart (#AmazongBasket), a new way to shop without leaving Twitter [TNW]
  • Fashion world sashays to Instagram for brand-building [FT]
  • Wanelo profiled: like mall browsing, with a click [NY Times]
  • Meet the new wave of Tinder-like shopping apps [Fashionista]
  • Stylect, the Tinder for shoes, finds you a perfect pair [Co.Design]
  • Study shows prevalence of consumer ‘webrooming’; more people researching online and buying in local stores [AdWeek]
  • Tracking is dead: the next wave of wearables is context [re/code]
  • Millennial-focused marketers start to dig in to new SnapChat video feature [AdWeek]
  • Must see: colour-changing fabric uses heat sensitive technology to react to sound files and its surrounds [PSFK]

John Lewis calls for GIFs focused on “moving forward” in ongoing #JL150 anniversary campaign  

11 May

jl150

John Lewis is continuing the celebrations for its 150-year anniversary with a crowdsourced GIF campaign.

Created to accompany its new TV ad dedicated to British history, the initiative invites fans to submit their own animated images or videos of up to 15-seconds in length, showing how they’re “always moving – dancing, running, learning new things”.

That concept ties to its tagline for the whole campaign: “For 150 years you’ve never stood still. Neither have we.”

Entries can be submitted via Tumblr, Google+, Instagram, Facebook or Twitter using the #JL150 hashtag up until May 30. A winner will be picked at random and awarded £1,500 of JL vouchers; a further £150 of vouchers will be given to their favourite entry each week.

The company has also launched its own #JL150 Tumblr page housing numerous versions of its own GIFs (examples below) – some of the pulled from the TV ad and others showcasing the commemorative products created for the anniversary in collaboration with some of Britain’s most loved brands and designers.

Check out the John Lewis Facebook page too for news on further celebrations in-store, as well as a content series dedicated to different decades.

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