Tag Archives: animation

Heroes and villains front new Y-3 film 

27 May

Y-3 has launched a short film for the autumn/winter 2014/15 season tying together a superhero theme with Japanese manga inspiration.

Shot by Cedric Buchet with creative direction by Lloyd & Co, the spot is designed to be a playful exploration of good versus evil. “This dichotomy of opposing forces is the underpinning of this season’s story, creating a powerful, visible energy that resonates in the movements of the characters through fight-inspired scenes,” reads the write-up.

Models Katya Riabinkina and Adam Butcher are featured against graphic colours and daring patterns that nod to the comic book theme. A line screen dot treatment heightens the creative further, as do text boxes that appear to narrate the journey amd their impending conflict.

The manga theme also ties straight to the inspiration behind the season’s collection created by Yohji Yamamoto. “The collection pays homage to the couturiers of the 60s. I wanted to infuse this spirit into it. I was also thinking of superheroes and the kind of clothes they wear. Cut for an active and fighting lifestyle. So I brought these two worlds together,” he said.

The campaign will also appear in print and in-store display. It will be launched globally in September 2014.

John Lewis calls for GIFs focused on “moving forward” in ongoing #JL150 anniversary campaign  

11 May

jl150

John Lewis is continuing the celebrations for its 150-year anniversary with a crowdsourced GIF campaign.

Created to accompany its new TV ad dedicated to British history, the initiative invites fans to submit their own animated images or videos of up to 15-seconds in length, showing how they’re “always moving – dancing, running, learning new things”.

That concept ties to its tagline for the whole campaign: “For 150 years you’ve never stood still. Neither have we.”

Entries can be submitted via Tumblr, Google+, Instagram, Facebook or Twitter using the #JL150 hashtag up until May 30. A winner will be picked at random and awarded £1,500 of JL vouchers; a further £150 of vouchers will be given to their favourite entry each week.

The company has also launched its own #JL150 Tumblr page housing numerous versions of its own GIFs (examples below) – some of the pulled from the TV ad and others showcasing the commemorative products created for the anniversary in collaboration with some of Britain’s most loved brands and designers.

Check out the John Lewis Facebook page too for news on further celebrations in-store, as well as a content series dedicated to different decades.

jl150-babyjl150-handbags jl150-girls jl150_product1 jl150-exercisejl150-toaster

Fabergé fans to create digital portrait animations at Harrods

26 Mar

Fabergé Cinescope - Firebird in Cage

Fabergé is set to host a heritage-inspired digital installation in Harrods as part of its Easter-themed pop-up from April 1 – 21.

The ‘Fabergé Cinescope’ will enable visitors to try on jewellery via a digital mirror and then create a one-of-a-kind animated portrait of themselves that can be shared across social media.

These portraits are based on a Victorian novelty concept – the trompe-l’oeil optical effect created by placing two images on either side of a disk and rotating them quickly to make them look like one (as per the video below).

Fabergé says marrying innovation with tradition is always its aim, and in this case its “transforming a period toy into a digital-age concept”.

The initiative is being run in collaboration with Russian style icon Miroslava Duma. It will also see the story of the Fabergé jewellery house retold via the Harrods windows, and an ‘Egg Bar’ showcasing the iconic precious egg pendants. An exhibition space will present other historic pieces from the brand, including the original 1901 Fabergé Apple Blossom Egg never seen before in the UK.

All the interactive elements accompanying John Lewis’ #bearandhare Christmas ad

26 Nov

JohnLewis_bearharestory2

Hopefully by now you will have all seen, or at least heard about, John Lewis’ epic £7 million Christmas ad: The Bear and The Hare, created by adam&eve DDB.

The hand-animated tale has received an enormous 8.7 million views on YouTube since launch on November 8, and according to reports, helped drive sales of £101.45 million in the British department store in the week that followed, up 10.7% on 2012.

Despite the fact the spot premiered on TV in the UK during The X-Factor (played as an entire two-minute ad break), this campaign lives well beyond its traditional format. Here’s a breakdown of some of the more interactive ways how: 

  • An accompanying e-book called ‘The Bear who had never seen Christmas’ has been introduced for iPad, iPhone and Android. It features a series of touch-to-activate features, including a treasure hunt throughout the pages of the story in order to decorate a Christmas tree at the end, and a musical component for kids to tap their screens along to  
  • As with last year’s snowmen, the two main characters, Bear and Hare, each have their own Twitter profiles. Following them reveals all sorts of insights into their friendship: Hare planning to tickle Bear in his sleep, and Bear snoozing through the majority of it only waking briefly now and again to tweet out a line of Zzzzzzzzz’s
  • A Christmas card maker allows consumers to create their own personalised e-cards too. A selection of templates featuring the different woodland animals can be selected from first, then a personal picture uploaded or chosen by connecting with Facebook. Lastly, a message can be added before sharing it over social, downloading it to send via email or print out, and/or adding it to the online gallery

 

JohnLewis_bearandhare2Screen Shot 2013-11-26 at 00.18.59JohnLewis_bearharestory3JohnLewis_bearharestory1JohnLewis_Hare

SHOWstudio captured and remixed the sound of four SS14 collections being made

17 Nov

Matthew_soundofclothes_SHOWstudio

I’m somewhat obsessed with the idea of the fashion industry working out how to nail audio branding. I’m not talking about just straight up music partnerships or even the sounds associated with a brand when being in-store, but the noises that personify the clothing or accessories in particular and whether they have the potential to subsequently be owned by an individual label. Food for thought…

It’s for that reason though that I love this initiative from SHOWstudio called The Sound of Clothes: Studio Sessions. The creative editorial site founded by Nick Knight, captured the sounds of Mary Katrantzou, Sibling, Piers Atkinson and Matthew Williamson’s collections being made ahead of their spring/summer 2014 shows this past September.

From the noise of the knitting machines and crochet needles being used, to beads and gems rustling, jersey being ripped, the pattern cutters in action, zips fastening and even models’ heels clicking during fittings, everything was collected, edited and then remixed into four musical tracks (as below) said to give “a unique audio take on the collections and capture the diversity of London Fashion Week”.

Sound artist Stu Sibley worked on the initiative, stretching and manipulating certain sounds so they seem like beats or instruments, while leaving others exactly as they were recorded. Each track is accompanied by abstract 3D visuals based on the runway collections themselves. Concept and direction was by Lou Stoppard and Neal Bryant. 

There’s also a wonderful essay by Maria Echeverri alongside the project that charts the history of sound through dress: “The various instances of sound in dress ranging from the Renaissance to present day hint at the untapped potential of resonant dress, for ultimately, the act of making and hearing noise is implicit in the experience and interpretation of clothing. And by understanding the enlivened dexterity of sound through its past, we can begin to imagine, and hear, its future.”

Digital snippets: Nike, DVF, Michael Kors, Burt’s Bees, Free People, Chanel, Tory Burch

21 Oct

Here’s a rather hefty highlight of stories from around the web surrounding all things fashion and digital of late:

NikePlus_FuelbandSE

  • Nike’s new FuelBand and the age of social products [BoF]
  • Michael Kors runs #WatchHungerStop animated GIF campaign for World Food Day [Fashionista]
  • Burt’s Bees taps Vine in literary campaign to  promote its classic products [Brandchannel]
  • How Free People is using big data and social commerce for bigger sales [Forbes]
  • Chanel touts cosmetics line through insider beauty tip videos [Luxury Daily]
  • How Tory Burch builds passionate customers: insights on its digital journey [Shop.org]
  • Ralph Lauren showcases accessories in ‘The Dog Walk’ digital video [WWD]
  • Urban Outfitters preps for Holidays with mobile investments [AdAge]
  • P’trique of Sh*t Fashion Girls Say joins The Outnet in LinkedIn video campaign [Fashionologie]
  • Bobbi Brown uses interactive Blippar app to bring Katie Holmes to life [BeautyWorldNews]
  • How Coach uses Facebook, Twitter, Pinterest and Google+ [Econsultancy]
  • The major retailers most threatened by mobile showrooming, and how they’re fighting it [Business Insider]

Paul Smith partners with artist Kate Moross for #LFW Vine clips

16 Feb

Another example of how to use Vine to beautiful effect has just come in from Paul Smith. The British designer has partnered with London-based artist Kate Moross, who is shooting a series of imaginative six-second clips in the run up to tomorrow’s London Fashion Week show.

The first, called BLINDS and shown above, sees shutters opening and closing on the Paul Smith logo. Others so far, and as below, have been titled REFLECT and INFINITE, hinting at the venue and print and pattern respectively,

“We’re drawing influence from the themes and palette of the collection revealing glimpses of what’s to come in Sunday’s catwalk show,” said Moross. “The format is so immediate, all professional video tools are off limits, instead we’re creating animations, loops and video effects using colour filters, miniature lenses and simple objects.”

You might also like:

Matthew Williamson to magnify intricate garment detail in #LFW Vine strategy

Vine scores big with #NYFW crowd

Take a look at Calvin Klein’s Vine posts during Super Bowl XLVII

Matthew Williamson to magnify intricate garment detail in #LFW Vine strategy

14 Feb

Matthew Williamson - MatthewMagnified

Vine might have been the big hit at New York Fashion Week, but the majority of posts lacked somewhat in the innovation, quality or insight department. Monotony was the main issue as six-seconds of finale or panning audience shots were uploaded one after the other at every show.

Here’s a heads up then – the Matthew Williamson show in London is set to approach it with much more in the way of a strategy. Known for his intricate handcrafted garments, the designer will use Vine as a means of showcasing details up close to real, raw and beautiful effect, as introduced by the designer here (and see below). As the models head down the runway on Sunday, February 17, animated backstage shots by photographer Sean Cunningham (of Burberry Tweetwalk fame) will be posted to Twitter that zoom and magnify in on the embellishment and beadwork in a bid to bring followers a more detailed view than those on the front row.

The concept takes its inspiration from Williamson’s #MatthewMagnified campaign on Facebook, which uses the Pic Jointer app (as above) to show still catwalk images alongside close-up detail shots of the fabric.

Here’s what Rosanna Falconer, head of digital for the designer, had to tell me about their plans:

“#MatthewMagnified has been hugely successful for us, our most popular campaign but also what we really wanted to drive home about the brand; it shows and conveys the luxury of Matthew, which you just can’t find on the high street.

We were trying to think of how to do this in a dynamic way for our show at London Fashion Week. We’re working with photographer Sean Cunningham who has created incredible GIFs in the past for Burberry and SHOWstudio, but we wanted to find something unique for Matthew. Sean got incredibly inspired by #MatthewMagnified, and the idea of an animated image that zooms in and shows the detail.

So we came up with our own kind of animated GIF concept, which is about being able to see closer than the front row. The issue was finding the ideal tech to show it, and Vine really was that. Better yet, being able to show over Twitter really made it all very achievable; it’s one very simple step.

Sean started having a play with it, and has created some beautiful work already. I love the way it’s such raw footage; the idea of it being Cinéma vérité, which is a French term for true-to-life documentary filmmaking. Rather than being a final polished campaign image, it’s what’s going on right now, live from backstage. It’s really special being able to capture that. Six seconds is the perfect length too – from full look to the magnified detail. Our attention span is getting ever shorter and these quick clips will show the catwalk condensed in its raw, backstage form.

We’re trying to give our followers better than ever access with a real, up-close quality. In many ways, it’s like a digital version of the go-see, which are the appointments made by press and buyers after the show to view the collection in greater detail. It’s the beadwork, the detail and the craftsmanship of the product right there.

It’s also not about tech for tech’s sake. I’m a great believer in only using digital innovation where it’s a good brand fit and not just for the sake of it because something is new and hip. Obviously everyone is speaking about Vine, but the important thing here is that we’re using it with an established campaign, the most successful thing we’ve been doing on social so far, and a concept we’ve been wanting to take further. We were looking for the means to do so and it’s a happy coincidence that this came together with Twitter so well.”

The show takes place on at 6pm GMT on Sunday, February 17. Follow @MWWorld on Twitter, search for him via Matthew Williamson on Vine, and watch out for the hashtag #MatthewMagnified.

https://twitter.com/MWWorld/status/301995032125263872

Take a look at Calvin Klein’s Vine posts during Super Bowl XLVII

4 Feb

As promised, Calvin Klein made use of Twitter’s new video-sharing app, Vine, during the Super Bowl last night.

Designed to support the premier of its Calvin Klein Concept men’s underwear campaign during the first quarter of the game, the six-second Vine content consisted of various different shots of model Matthew Terry working out in his boxers.

What was clever was the simple Super Bowl-themed copy that accompanied – “Game time”, “Fighting it out in the 4th”, and “Touchdown” included. So too was there a nice use of #SuperBowl and #SB47 hashtags throughout.

Below is a selection of them. Scroll to the bottom for the full ad too…

Topshop animates nail colours in SS13 video

24 Jan

 

Topshop has released a very cute stop-motion video short to promote its spring/summer 2013 nail colours.

Created by brother and sister filmmaking duo Sadie and Joe Williams, it brings to life a series of nail varnish pots, painted nails and even emery boards.

“Dancing nails in sizzling new season colours as well as statement glittery shades will transport you somewhere tropical!” reads the write-up. Watch it below…

[via AlexLoves]