Tag Archives: Gap

Gap Inc‘s Art Peck talks digital disruption, aspirational brand expressions and enabling loyalty through relevance

13 Jun

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“We are entering into a period of significant opportunity driven by accelerated disruption coming from the continued pivot of customers into the digital space,” Art Peck, president of growth, innovation and digital at Gap Inc (which includes Gap, Banana Republic, Old Navy, Piperlime, Athleta and Intermix brands), said at Goldman Sachs’ fifth annual dotCommerce day in New York this month.

His key message: we might think we’ve seen change over the past decade, but in retail specifically we’re on the cusp of something much bigger. It will be equivalent to that of the 1950s and 60s when consumers moved from local variety stores to suburban bix box retailers, he said, referring to the wave that saw many of today’s mega brands, including Walmart and K-mart, hit the market.

What it’s about, he said, is the customer. Consider these statistics: a decade ago, only 3% of consumers in the US bought apparel and accessories online. 15% of them engaged online but still purchased in physical stores, and the remainder only shopped offline and had no digital engagement at all.

Fast forward to today and about 15% of the market is shopping online for apparel and accessories. Those not engaged with brands digitally has shrunk to only 13%, while the remainder this time are engaged online, even if they then still buy in the real world. “What that does,” said Peck, “is put an opportunity and an obligation on us.”

At this point in time the bulk of the industry has a transactionally-efficient website that acts as a complementary channel to their stores. What we need to move towards, he explained, is an experience both online and off that ties together the overall vision of the brand. “The digital expression of our brands needs to be a holistic, aspirational expression of the brand because that is in many cases what customers now base their choice on.”

Interestingly, it’s digital that he believes will also enable the company to achieve that uniform expression of the brand across its store portfolio no matter the size of the outlet. Today at a flagship store consumers are exposed to the entire brand in an aspirational way, whereas at a mall it may just be a small subset of that intention, and often not an aspirational one at all.

“Our vision here is we bring digital together with physical, and regardless of the store, where it is, the size that it is, the mall that it’s in – we give customers exposure consistently to the entire aspirational expression of the brand,” he emphasised.

At this point in time, Gap is working on doing so with initiatives such as replacing all legacy systems in stores with web services; so in-store and e-commerce now operate on one platform. The company therefore now has the capability to have global, virtual visibility on the availability of its inventory, and has been able to introduce the likes of its ‘reserve in store’ option for shoppers.

As of next month it is also testing out an ‘order in store’ system in a bid to counter that feeling of disappointment when consumers can’t find what they’re looking for on a trip out. Said Peck: “Our commitment with assisted or unassisted ‘order in store’ is you’ll never leave the store empty-handed, whether that’s a physical bag or a virtual bag that you’re carrying with you… That’s a huge economic opportunity for us. It’s moving that conversion yield.”

Omnichannel is the obvious buzzword he said, holding up his own smartphone as an example of the most important device for retailers to be thinking about. Mobile is pervasive, but also persistent in that it stays with consumers all of the time, he explained. It’s for that reason it’s a key driver for loyalty programmes, something the company is also focusing on with a new scheme testing at Banana Republic stores imminently.

Peck referred to loyalty as a ‘big one’ for the company, a driver for frequency and for share of wallet, but more importantly as an opportunity to “bring our personalisation capabilities and customisation relevance to bear in a store environment”. At the moment 60% of people visiting the website are recognised as unique visitors, enabling Gap to personalise experiences based on things like browsing and purchase history. Doing so is providing movement on numbers like conversion, time on website, CTR and more, said Peck.

“Good things happen for the customer if they’re willing to self-identify and tell us who they are at the beginning of a shopping experience. They do on the website, they don’t in our stores. If you come into our stores today we won’t recognise you until you tender, if we recognise you then.”

This loyalty programme is about providing the customer with the opportunity to self-identify in order for the company to create a much more relevant set of experiences compared to when they shop anonymously, he explained.

It’s that word, relevancy, that he picked up on as most important: “There’s lots of talk out there about big data – to me big data, personalisation is focused on an outcome of relevance. That’s what we’re working on.”

Digital snippets: Matthew Williamson, Gap, Amazon, Instagram, Wanelo, Tinder

14 May

A round-up of the latest stories to know about surrounding all things fashion and tech:

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  • ‘Is it scalable? I think it has to be,’ Matthew Williamson head of digital on customer acquisition through Instagram [The Drum]
  • Amazon launches #AmazonCart (#AmazongBasket), a new way to shop without leaving Twitter [TNW]
  • Fashion world sashays to Instagram for brand-building [FT]
  • Wanelo profiled: like mall browsing, with a click [NY Times]
  • Meet the new wave of Tinder-like shopping apps [Fashionista]
  • Stylect, the Tinder for shoes, finds you a perfect pair [Co.Design]
  • Study shows prevalence of consumer ‘webrooming’; more people researching online and buying in local stores [AdWeek]
  • Tracking is dead: the next wave of wearables is context [re/code]
  • Millennial-focused marketers start to dig in to new SnapChat video feature [AdWeek]
  • Must see: colour-changing fabric uses heat sensitive technology to react to sound files and its surrounds [PSFK]

Burberry, Wren, Uniqlo and Marc Jacobs among digital winners at inaugural Clio Image Awards

7 May

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Sarah Jessica Parker might have taken home an honorary title for her creative work at the first ever Clio Image Awards this evening, but it was a night for digital campaigns from across the fashion and beauty industries to be recognised otherwise.

Grand prizes in categories including mobile, experiential, out of home and video each went to initiatives that could be deemed digital in some way or another, nicely nodding to the integrated efforts being seen in the market of late.

Burberry unsurprisingly won the prestige title in digital/mobile for its Burberry Kisses campaign with Google last summer, while Uniqlo took the mass award in the same category for its Uniqlo Storms Pinterest initiative. That latter one achieved a massive 55 million impressions in five days with a media spend of $0.

Meanwhile, the Marc Jacobs Daisy Tweetshop, which saw fans able to use social currency to win big prizes during New York Fashion Week, was the winner in the engagement and experiential division. (There’s a great campaign wrap video on this hosted on the Clio website well worth the watch).

Even the out of home award in the mass category, which went to Gap for its Holiday 2013 campaign called Make Love, saw a digital component this year. The ads were straightforward portrayals of different types of love; depicting diversity and focusing on a message of acceptance throughout. It was the retailer’s reaction to racist graffiti being drawn on one of the ads starring Indian Sikh-American actor and fashion designer Waris Ahluwahlia in a New York subway station however that truly hit the headlines – Gap not only made the effort to find out where said image was actually located, but made that same shot its Twitter background picture. The Clio Image Awards referred to this as a “rare moment where a campaign truly comes to life”.

Film meanwhile, was a particularly easy one, with the grand prize going to Wren for its uber viral First Kiss campaign. This three-and-a-half-minute video documenting 20 strangers making-out for the first time only launched in early March 2014, but has swiftly become the most-viewed fashion film of all-time with a huge 81 million views.

There were also honours for the likes of T by Alexander Wang’s guerrilla marketing move with its free-for-all sample sale, Diesel’s Reboot campaign, the Inside Chanel video series, and more. Further awards went to Inez & Vinoodh for their achievements in fashion photography, as well as in additional categories such as store design, packaging, partnerships and print ads.

Image via WWD

Digital snippets: Gap, H&M, L’Oréal, Dove, Lyst, Jelly

26 Jan

Here’s a highlight of the best stories in the fashion and tech space over the past week…

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  • You can now pin animated GIFs: here’s Gap’s (as pictured) [Fashionista]
  • Will David Beckham’s H&M Super Bowl ad be #covered or #uncovered? [Fashionotes]
  • L’Oréal’s Matrix offers stylist’s-eye view with Google Glass [BrandChannel]
  • Dove launches short film, “Selfie”, about women’s self-image at Sundance [Creativity]
  • Meet the stylish Sapeurs, the Congolese stars of Guinness’ new ad and doc [Co.Create]
  • Why Amazon’s data store doesn’t scare people, but Facebook’s does [AdAge]
  • Lyst, a fashion e-commerce aggregator, raises $14m more, plans beacon rollout with PayPal [TechCrunch]
  • Keep.com helps you shop for items on Instagram [Mashable]
  • Nine unexpected ways retailers are using your data [Fashionista]
  • Vogue hosts its first Google+ Hangout celebrating The Fashion Fund [Vogue]

Retail’s 7 most innovative Holiday campaigns

16 Dec

This article first appeared on Fashionista 

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The holiday season can account for up to 40% of a retailer’s annual revenue, and thus it’s no surprise to see some of our favorite stores (and fashion brands) go all-out with festive campaigns in a bid to capture as many dollars as possible.

Multiple initiatives have lined up to grab our attention this year, but if there’s one thing tying them together, it’s interactivity. From singing contests you can enter to touchscreens you can explore, participation is the biggest push for 2013.

Pinterest is also proving big news. According to a recent study by Lab42, 94% of users say the virtual scrapbooking site has changed how they prepare for the holidays, while 42% have created their own holiday-themed boards. Meanwhile, stats show such activity is also affecting sales. Revenue on retail sites that originated from Pinterest doubled over Thanksgiving weekend, and brands like Target and Topshop have quickly taken advantage.

Here’s our pick of the top seven activations.

1. eBay’s Touchscreen Storefronts

First up is the digital storefronts eBay set up for Rebecca Minkoff, Toms and Sony in the Westfield San Francisco Centre shopping mall this season. Shopping from them is easy. As with any smartphone or tablet device, you just touch the screen and start browsing products, then complete the order via PayPal on your mobile device. Items can either be delivered to your home for free or picked up at the Sony Gallery on the floor below.

2. Gap’s VSCO-Powered Gift Guide

Gap gave an indie twist to its holiday gift guide by partnering with seven well-known users of photo-editing app VSCO for its Make Love campaign. Those artists acted as both models and photographers, captured in various Gap products themselves and completing their own photo assignments based on one of Gap’s holiday themes: fair isle, indigo, metallic, plaid, stripes, texture and warmth. The results are featured on both a dedicated page on VSCO’s website as well as in Gap.com’s “Give A-Z” holiday guide.

3. John Lewis’ “The Bear and The Hare”

Over in the UK meanwhile, John Lewis wins for the biggest budget when it comes to advertising this year. It spent £7 million ($11.4 million) on a hand-animated and very cute tale called “The Bear and The Hare,” which has garnered more than 10 million views on YouTube to date. What’s innovative is all the components that go with it, and none more so than the windows of its flagship store in London. They feature some of the 188 animal sculptures made from 7,000 everyday products tied to the bear and hare theme, like a reindeer made of Dyson vacuums, a polar bear of Nintendo Wiis and a turkey crafted from a series of rolled up towels. The retailer is also running a contest with the campaign, calling all aspiring singers to record and upload their own versions of Keane’s “Somewhere Only We Know” for a chance to have their recording play with the commercial on Christmas day.

4. JC Penney’s “Jingle Mingle” Singing Contest

JC Penney also called for singing content from its fans this year. Up until Dec. 3 it invited aspiring vocalists to upload videos of themselves singing “Silent Night” to its Jingle Mingle website. Hundreds of the best are then going to be played on the facade of the retailer’s Manhattan Mall store. For each one submitted, JC Penney donated $20 to the United Service Organizations (USO).

5. Topshop’s “Dear Pinterest” Campaign

It was all about Pinterest for Topshop this season. The UK-based retailer used Pinterest to power its online gift guide, and even attached oversized tags to in-store merchandise identifying the ones that had been pinned the most. In November, there was also a giant touchscreen in Topshop’s New York and London flagships that allowed shoppers to pin, share and shop from a gift list there and then.

6. Target’s Pinteresting “Awesome Shop”

Pinterest also makes an appearance at Target this season. Target has launched an e-commerce storefront powered by Pinterest as well as its own reviews this year. Target Awesome Shop, as it’s called, incorporates over 1,000 products that have received four stars or higher in the customer reviews on Target.com and are one of the retailer’s most-pinned products on Pinterest. The result: a highly curated, not to mention awesome, list of recommended items. You can search by category and then click on each product for more information (such as those reviews), before being redirected to the main Target.com site to add them to your shopping cart.

7. Louis Vuitton’s “The Goose Game”

Louis Vuitton created an online board game to feature its holiday gifts. The game, which functions much like “Snakes and Ladders,” is made up of squares featuring Louis Vuitton products that players can purchase in just a few clicks.

Honorable Mention: Kmart’s “Show Your Joe”

It may not be a stunning piece of innovation, but Kmart’s “Show Your Joe” commercial sure brought the laughs — and the views. The video, which was made for TV, has racked up more than 16 million views on YouTube alone since its Nov. 15 release.

Digital snippets: The North Face, Instagram Direct, Target, Barneys, Harrods, Karmaloop

15 Dec

The big news over the past couple of weeks in the retail and fashion tech space was of course the concept of Amazon drones, but multiple other stories grabbed the headlines too. Here’s a highlight of the best ones…

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  • IBM’s Watson explores the great e-commerce unknown with The North Face [AdAge]
  • What Instagram Direct means for fashion brands (as pictured) [Fashionista]
  • Barneys creates holiday .gif guide to appeal to younger consumers [Luxury Daily]
  • Harrods’ Christmas Weibo campaign engages London’s Chinese tourist influx [Jing Daily]
  • Karmaloop targets millennials with YouTube and Snapchat holiday plan [AdWeek]
  • Kmart’s ‘Ship My Pants’ gets the Dickens treatment for Christmas [AdAge]
  • Native advertising: the pros and cons [WWD]
  • Designing the next generation of wearables, with women in mind [Fast Company]
  • With 3-D printing, clothing that leaves out the sewing machine [NY Times]
  • Mallzee is a Tinder-esque shopping app that lets your friends play fashion police [TechCrunch]
  • Start-up Thread is building a scalable personal styling service, blending human stylists and intelligent algorithms [BoF]
  • Instagram is the ‘best platform for brands’ in 2013, beating out Facebook, Twitter, and Google+ [Venture Beat]
  • Retailers look to their best customers, not bloggers, as the new influencers [Fashionista]
  • Gap’s ad with Sikh model Waris Ahluwalia defaced with racist graffiti, drawing incredible response from company [Huffington Post]

Digital snippets: Holiday retail round-up special

27 Nov

Given it’s the day before Thanksgiving in the US – meaning retailers are about to go all out on heavy promotions – here’s a special round-up of all the ways they’re using social and digital to help lure the seasonal shopper and start converting those all-important Holiday sales…

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  • eBay debuts shoppable touchscreens and digital storefronts for Sony, Toms And Rebecca Minkoff in San Francisco (as pictured) [TechCrunch]
  • Target launches “most digitally enabled campaign” in its history, pins hopes on Pinterest this holiday season [Co.Create]
  • Topshop partners with Pinterest for online and offline Holiday campaign [Fashion&Mash]
  • JC Penney launches first Holiday campaign under new marketing head, includes crowdsourcing initiative inviting users to upload videos of themselves singing ‘Silent Night’ [AdAge]
  • ‘Reserve in Store’ service rolling out to all Banana Republic stores across the US, 200 Gap [CNBC]
  • Jingle all the way at Kmart with #showyourjoe Christmas ad [Fashion&Mash]
  • Kohl’s adds emotional brand spots to Holiday mix [AdAge]
  • Hollister teases Black Friday deals on YouTube [ClickZ]
  • All the interactive elements accompanying John Lewis’ #bearandhare Christmas ad [Fashion&Mash]
  • Cath Kidston, Bauble Bar driving traffic with Christmas treasure hunt campaigns [Fashion&Mash]
  • Michaels offers interactive Holiday help with live elf available through streaming video [Chain Store Age]
  • M&S teases Christmas #magicandsparkle campaign over social [Fashion&Mash]
  • Louis Vuitton highlights gift ideas on interactive goose game [Luxury Daily]
  • Tillys runs ugly Christmas sweater contest over Instagram [Tillys]
  • Neiman Marcus teams up with Shapeways to offer 3D printed holiday capsule collection [PSFK]

Digital snippets: Selfridges, Prada, Victoria’s Secret, Gap, Asos, Lancôme, Valentino

24 Nov

A highlight of the top stories surrounding all things fashion and digital of late: 

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  • Drive-through Dior? Coming right up at Selfridges London [CN Traveler
  • Wes Anderson debuts latest Prada feature [Fashionotes
  • Victoria’s Secret creates 3D-printed angel wings for fashion models [Huffington Post
  • Gap rolls out “reserve in store” service [CNBC
  • Valentino jumps in on China’s high-tech runway revolution [JingDaily
  • Under Armour looks to take a bite out of FuelBand success with MapMyFitness acquisition [BrandChannel
  • Pinterest opens API to retail partners [TechCrunch
  • Google’s Eric Schmidt invests in retail tech designed to help personalisation and data measurement [WWD
  • Here’s why ‘The Internet of Things’ will be huge, and drive tremendous value for people and businesses [Business Insider
  • Why companies desperately need to make wearables cool [Wired
  • How brands get shoppers to volunteer their personal data: transparency and better experiences [PSFK
  • Social media drives less than 1% of shopping sessions, study says [Fashionista
  • Fashion retailers are still failing to optimise email marketing for mobile [Econsultancy
  • What retailers can learn from mobile commerce in the UK [Shop.org
  • 15 stats that show why click-and-collect is so important for retailers [Econsultancy

Note: Look out for a separate holiday-specific digital round-up later this week, featuring all the top retail campaign stories as well as insights into the biggest innovations being pushed for the festive season. 

All the details of Gap’s #BacktoBlue campaign

14 Aug

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Mashable may have reported on its Tumblr mobile ads, while Advertising Age covered its return to TV, but Gap refers to its new Back to Blue campaign as its “broadest-reaching in the company’s modern history”. In total it spans print, outdoor, mobile, direct, social, in-store, digital and TV.

Launched for autumn/winter 2013/14, it aims to celebrate Gap’s denim legacy. Says Seth Farbman, global CMO: “Back to Blue means getting back to what matters most – our truest selves, when we are most comfortable in our own skin.It’s both a statement of how we feel as a brand, and how our customers want to live their lives and make their decisions. With style, people are seeking authentic denim and chambray – clothes you can wear almost anywhere but never forget who you really are.”

Here’s everything it includes:

  • Digital content can already be seen across the brand’s social platforms spanning everything from short films (uploaded to Instagram no less), as well as photographs and animated GIFs. The assets feature 24 “influential millennials” including Tanisha Long from MTV’s Girl Code and Urban Bush Babes blogger Cipriana Quann. Each of them shares “simple, raw and relatable stories about what it means to be one’s most authentic self”. 250 pieces of content will be created in total, released over a three-month period
  • An animated GIF has also been posted on Tumblr by fashion blogger FashGif to introduce a contest that invites other digital artists to share what Back to Blue means to them. The winning works will be turned into Tumblr mobile ads and showcased across all of Tumblr’s mobile units on one day. This is the first time a brand has done so
  • Gap returns to TV for the first time in four years this season too, with a spot set to release in mid-September. That ad is expected to first debut on Twitter. Said Farbman: “We have always been a brand that benefits from moving pictures, sound, emotional engagement. …Also, the reality is that TV continues to be the medium that gets you mass reach quickly”
  • The retailer’s ongoing Styld.By initiative, which sees Gap product brought to life through the editorial perspective of various established bloggers, will hit 30 countries this season with the addition of Russia, Singapore and the Philippines. In a bid to dive deeper into interest communities, it will see Refinery29 styling fashion and lifestyle bloggers, Mashable styling technology influencers and Eater styling chefs. It will also see a video series launched featuring style advice from Jenn Rogien, costume designer for HBO’s Girls and Netflix’s Orange is the New Black
  • In a traditional media sense otherwise, the campaign also includes outdoor and print magazine advertising in key global markets. Those portrait images were shot by Inez and Vinoodh, and star the likes of Adam Driver from Girls and model Dree Hemingway
  • And finally, Gap has partnered with Vice magazine for a global art project that will see 10 outdoor murals created by emerging street artists Zio Ziegler, Roman Grandinetti and Andrew McAttee. The Art of Blue, as its called, will bring the campaign concept to life in New York, San Francisco, Los Angeles, London, Paris and Rome

 

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How fashion brands are using Vine

30 Jun

This article first appeared on Mashable

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The fashion industry immediately embraced Vine, Twitter’s 6-second video app, after it launched in February. It was no surprise it was suddenly so popular: The app was released just two weeks before New York Fashion Week kicked off, a time when behind-the-scenes runway shots were readily available to capture and share in 6-second loops.

But Vine is much more difficult to make look beautiful and polished than Instagram photos, and brands quickly discovered that to participate, they needed to relax their typically stringent production quality requirements. Perhaps that’s why, following the shows, most fashion houses dropped the platform altogether, only returning to it, in some cases, for the menswear shows in London and Milan earlier this month.

That’s not to say that Vine’s fashion future is dead — it’s merely getting a slow start. Early data indicates that Vine videos are shared four times as often as other kinds of Internet video, and the launch of video for Instagram, which many brands have already enthusiastically adopted, is creating further incentive for fashion firms to ramp up their capabilities and resources in this area.

Let’s take a look at a few fashion brands using Vine to exceptional effect…

Stop motion art

Stop-motion artists are among Vine’s most popular users. Eyeing this trend, French Connection collaborated with photographer Meagan Cignoli to create a series of highly shareable, summer-themed stop-motion videos. In one video, the brand’s latest collection packs itself into a suitcase for a holiday. In another, various outfits are laid out and rolled up on the beach.

Cignoli tells me that each video typically has between 100 and 120 separately recorded clips. The result is incredibly fluid and eye-catching, instantly negating any notion that Vine can’t be a platform for quality creative work. Online retailer Nasty Gal is another standout for stop-motion inspiration, weaving playful, wiggling pieces of candy in and around products like handbags, shoes and makeup. Burberry, too, has used stop-motion video to showcase product prints and patterns, as well as celebrities present at its last menswear show.

Showcasing product details

The beauty of the French Connection work by Cignoli is that it places products front and center, but it’s so creative it doesn’t feel like marketing. Marc Jacobs is another example of a designer who is doing this, releasing some nice stop-motion work that features handbags on what looks like a rotating conveyor belt.

For others, Vine presents an opportunity to demonstrate the work that goes into making products. Matthew Williamson did this during London Fashion Week in February with his #matthewmagnified campaign, and Oscar de la Renta, through the handle OscarPRGirl, used Vine to detail the craftsmanship that goes into its bridalwear pieces.

Gap is also using Vine to highlight key pieces in-store, but takes a more editorial approach, employing models for its videos. In one, a woman spins around in an assortment of dresses. In another, a young girl plays in the latest DVF GapKids collection in the park. These are much more developed than the clips that debuted during fashion week season: a haphazard amalgamation of garments on hangers and poorly lit models on runways.

Injecting personality

Some brands’ Vine videos manage to be both beautifully produced and full of personality.

Urban Outfitters released short videos that are playful yet stylish at the same time. In one clip, a bunch of balloons float into an office. In another, the contents of a purse are being prepared ahead of a festival trip. In another stop-motion video, makeup carries itself into a bag. It’s worth noting that with more than 40,000 followers, Urban Outfitters is one of the most popular brands on Vine, proving that volume and frequency of posts can be a more successful formula than fewer, higher quality videos — as showcased by French Connection, which has just a fraction of Urban Outfitters’ followers.

Behind the scenes

As mentioned, fashion brands released a great deal of behind-the-scenes content on Vine during fashion week season. This is a trend that’s continued since the shows, with brands and retailers providing windows into their corporate headquarters, design studios and individual stores.

Marc Jacobs has used Vine to take followers on many journeys at its headquarters and stores, from the creation of its latest Resort collection campaign to celebrity interviews during in-store book signings. Using the hashtag #staffstyles, Marc Jacobs frequently showcases the prints and patterns worn by its employees. In another example, Bergdorf Goodman features staffers as they try on different pairs of sunglasses. The video is tied to a message about sun protection.

Puma recently released a series of Vine videos featuring Olympic champion Usain Bolt on the set of his latest campaign for the brand. The quick all-access videos, shot again by Cignoli, frequently allow Bolt’s own personality to come through. Meanwhile, Nordstrom has shown what it’s like at its stores after hours, with shoes whimsically moving about on shelves when customers aren’t there. In another video, a flying shirt leads followers on a magical tour through merchandise.

Beyond the obvious

One thing fashion and retail brands haven’t taken advantage of is the how-to video, which is a popular hashtag on Vine. Bergdorfs has done a beauty tutorial and Nordstrom has used Vine to show how to tie a tie, but there are plenty more opportunities here.

As autumn’s busy event calendar gets rolling and the fall collections hit stores, expect to see more behind-the-scenes footage as well as more close-up product shots. Though some brands’ participation has been impeded by corporate approval processes, there’s no doubt — especially with the recent launch of video on Instagram — that short-form video will become a more central part of the fashion industry’s output.

As Cignoli advises: “Fashion brands just need to let go a little and enjoy Vine for what it is, the quickness and easiness of it. If they can find a way to do that, it’s going to be much more beneficial even if what’s going out isn’t always the most amazing piece of content.”

Do you have any favorite fashion brands you follow on Vine?